venerdì 4 novembre 2011

Canon EOS C300 & C300 PL Announced

 
 Canon EOS C300 cinema camera announced
Canon EOS C300 Digital Cinema Camera 300x200 Canon EOS C300 cinema camera announcedCanon EOS C300 Digital Cinema Camera 6 300x200 Canon EOS C300 cinema camera announced
Canon EOS C300 Digital Cinema Camera 2 300x200 Canon EOS C300 cinema camera announcedCanon EOS C300 Digital Cinema Camera 5 300x200 Canon EOS C300 cinema camera announced


A Star Is Born: Canon Launches New Digital Cinema Camera For High-Resolution Motion Picture Production
HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera*, equipped with an EF lens mount for compatibility with Canon’s current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera*, with a PL lens mount for use with industry-standard PL lenses.
The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.
Star-Studded Supporting Cast
Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300′s peripheral illumination correction automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.i
Show-Stopping High-Resolution Full-HD Performance
The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.
Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.
In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of “jaggies” at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.
The camera’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.
Ready for Action
With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.
The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.
The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.
Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5xii made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps)iii can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.
Pricing and availability
The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

giovedì 3 novembre 2011

ioShutter

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The ioShutter cable and app, developed by Enlight Photo, allow you to use an iPod touch, iPhone or iPad as a wired remote release for your Canon, Hasselblad or Pentax camera. Plug one end of the ioShutter cable into the device’s headphone jack and the other into the camera’s remote terminal, fire up the ioShutter app, and start taking pictures. “With your ioShutter cable plugged in, the free ioShutter app then gives you a ton of fun functions; options for Timers, Bulb setups for long exposures to get that great night sky or cityscape shot, Timelapse programmes and two unique world firsts: ClapToSnap sound trigger and ShakeToTake movement trigger,” says Enlight Photo founder James Madelin. The cables aren’t shipping yet but the ioShutter app can already be downloaded from iTunes. A more customisable Pro version will be available soon.

Capture One 6.3.2

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Phase one has released an update for Capture One. Version 6.3.2 adds support for raw files generated by the Samsung NX200, Pentax Q and Olympus E-PM1 compact system cameras. Additionally, it provides improved colour and noise defaults for the Samsung NX11 as well as PEF/DNG support for all Pentax camera models. Capture One 6.3,2 can be downloaded from the website below.
Website: Phase One | Download Capture One

Perfect Photo Suite 6 Launches in the UK

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Color Confidence, the UK distributor for onOne software, today announced the launch of onOne’s Perfect Photo Suite 6. The suite includes full versions of Perfect Portrait 1, Perfect Layers 2, Perfect Effects 3, Perfect Mask 5, Perfect Resize 7, PhotoFrame 4 and FocalPoint 2. Perfect Photo Suite 6 will be available from all major photographic retailers and direct from Color Confidence for £185+VAT. Owners of the Perfect Photo Suite 5.5, Plug-In Suite 5 or earlier versions, can upgrade to Perfect Photo Suite 6 for £100.80 ex. VAT.
Website: Color Confidence
Press Release
Color Confidence announce launch of onOne Perfect Photo Suite 6

Birmingham, UK, 2nd November 2011 – Color Confidence, Europe’s leading value added distributor into the digital imaging markets, and the UK distributor for onOne software, has today announced the launch of onOne’s Perfect Photo Suite 6. Perfect Photo Suite 6 is a complete set of all onOne’s solutions and for the first time, each and every application works standalone, in addition to being a plug-in to Photoshop, Lightroom or Aperture. Available from late October, Perfect Photo Suite 6 will be available from all major photographic retailers and direct from http://www.ColorConfidence.com/onone

Resellers interested in stocking onOne Perfect Photo Suite 6 should contact Color Confidence on             0800 977 4168       or email reseller@colorconfidence.com

“The launch of Perfect Photo Suite 6 is significant for two reasons.” commented Geoffrey Clements, Managing Director, Color Confidence “Firstly, it continues onOne’s record of developing high quality and powerful tools that really help photographers spend more time behind a camera, and secondly, because these products are now available standalone, giving more photographers access to the products and more flexibility for existing users”.

Perfect Photo Suite 6 includes full versions of the following products:

NEW - Perfect Portrait 1 – A powerful retouching tool, including face and feature recognition, and both manual control and automatic adjustments.

NEW - Perfect Layers 2 – Create and edit multi-layered files, and combine photos for endless creative options.

NEW - Perfect Effects 3 – A complete library of professional photographic effects that can be previewed full screen before being applied to an image.

NEW – Perfect Mask 5 – The new and improved Mask Pro. Perfect Mask 5 adds power and speed to make mask creation quick and simple.

Perfect Resize 7 – Powered by Genuine Fractals. Resize images by well over 1000% without loss of sharpness or detail.

PhotoFrame 4 – Thousands of design elements included such as film edges and borders for darkroom effects and albums

FocalPoint 2 – Add the most realistic depth of field and selective focus control to any image, after it is photographed

Pricing, Availability and Existing users
Perfect Photo Suite 6 is priced at just £185 + VAT and is expected to start shipping at the end of October.

Owners of the Perfect Photo Suite 5.5, Plug-In Suite 5 or earlier versions, can upgrade to Perfect Photo Suite 6 for £100.80 ex. VAT. Any users who purchased Perfect Photo Suite 5.5 on or after August 7th 2011 are eligible for a free upgrade

Customers who have purchased Perfect Photo Suite 5.5 on or after August 7th 2011 should register their software with onOne. onOne will send a download version of Perfect Photo Suite 6 upon registration and send a physical product when available in the post.

About Color Confidence
Color Confidence are Europe’s leading ‘value added’ distributor of products and services in the digital imaging markets. The company, which now includes Cherlyn Colour and grafipress in its group, works with the world’s leading vendors of digital imaging solutions and offers the latest products and services backed by unrivalled technical know-how and industry expertise. Color Confidence services a diverse customer base, from imaging enthusiasts and creative professionals to multinational enterprises and government departments through its extensive dealer network and direct from http://www.ColorConfidence.com

Rollei PDF-S 330 Pro / PDF-S 390 Pro

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The Rollei PDF-S 330 Pro and PDF-S 390 Pro.allow you to digitise your 35mm and medium-format transparencies and negatives quickly and easily. Equipped with a 9-megapixel area-array sensor, each scanner comes complete with holders for loose strips of 135 and 120 format film, as well as a holder for 4 mounted 35mm slides. Additionally, the Rollei PDF-S 330 Pro can also be used to digitise prints of up to 10x15cm (4x6”). Both scanners feature Rollei’s Magic Touch technology for dust and scratch removal and both come equipped with 2.7” colour displays and SD/SDHC memory card slots. The recommended retail price is €329.95 for the Rollei PDF-S 330 Pro and €289.95 for the PDF-S 390 Pro.
Rollei Press Release
Slide and photo digitisation at the push of a button: Rollei PDF-S 330 Pro and PDF-S 390 Pro.
Just in time for the IFA launch, Rollei presents two new optimised slide and photo scanners: Rollei PDF-S 330 Pro and Rollei DF-S 390 Pro. With both scanners you can finally scan your old medium format slides and reminisce about times gone by!
The Rollei PDF-S 330 Pro boasts a 9 megapixel sensor and a scan resolution of 2400 dpi (interpolated: 3600 dpi). Colour negatives, loose and mounted slides in 36x24mm format and paper photos up to a size of 10x15 cm can be scanned without problems with this all-in-one wonder with a 2.7 inch colour-LCD display (6.85 cm)! In addition it is also possible to scan medium format (6x6 cm, 6x4.5 cm).
The stand-alone device can digitally scan slides, negatives or photos within a few seconds without connecting to a PC. The already successful special Magic Touch technology removes dust and scratches from slides and negative scans at the push of a button. The PDF-S 330 Pro uses a second infrared light source to check the inserted negative or slide for irregularities. In this way, with the aid of the film material, the scanner recognises that the black dot in the sky is a speck of dust. Thanks to the SD/SDHC card slot the pictures are saved directly onto SD/SDHC cards. Connection to the PC is via USB 2.0. The colour depth amounts to 10 bits per colour channel.
Rollei DF-S 390 Pro
The Rollei DF-S 390 Pro is a stand-alone scanner and is above all impressive for its compact design (dimensions: 240 x 160 x 155 mm) and very simple operation. This lightweight among slide/film scanners weighs just 930 grams ― the ideal solution for fast digitisation of loose slides as well as negative film strips. (Max. scan area 36x24 mm).
The DF-S 390 Pro also offers the opportunity to scan medium format (6x6 cm, 6x4.5 cm). A 9 megapixel CMOS Sensor and a maximum scan resolution of 2200 dpi (3600 dpi interpolated) round off the technical features. Slides and negatives are scanned and displayed as previews on the 2.7 inch colour display (6.85 cm) in record time. The renowned Magic Touch technology ensures that scratches and lint are removed.
Included in the package:
The PDF-S 330 Pro and DF-S 390 Pro include in the package a slide holder (35 mm) for four framed slides, two film holders for film strips (135 mm and 120 mm) with up to six pictures, a power adaptor, a USB cable and a TV cable, as well as a user manual.

Availability and price:
The Rollei PDF-S 330 Pro will be available in shops for a recommended retail price of EUR 329.95, and the Rollei DF-S 390 Pro for EUR 289.95.

mercoledì 2 novembre 2011

Pentax Q Fimrware Update 1.01

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Pentax has issued a firmware update for the Pentax Q compact system camera. Version 1.01 promises enhanced resolution when the in-camera sharpening level is set to “Fine Sharpness”, and improves overall stability. You can download the firmware upgrade from the website below.
Website: Pentax Japan

Fujifilm X10 Firmware Update 1.02

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Fujifilm has released a firmware update for the Fujifilm X10 digital compact camera. Version 1.02 resolves an issue with aperture value indication and fixes a bug that has caused a focus hunting problem in Tracking AF mode. The firmware upgrade can be downloaded from the website below.
Website: Fujifilm X10 Firmware Update Ver.1.02

Nikon Coolpix S1100pj Firmware Update 1.1

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Nikon has posted a firmware update for the Nikon Coolpix S1100pj projector camera. Version 1.1 addresses the following problem: when QuickTime Ver. 7.7 was used to play back movies captured with the camera, no audio was played back. To download the firmware upgrade, visit the website below.
Website: Nikon Europe

SanDisk Memory Cards Get Big Price Drops


SanDisk Extreme 16GB CF
B&H has dropped its prices on SanDisk memory cards across the board, which makes for some solid deals out there now.
Just a couple of weeks ago, I priced the SanDisk Extreme 16GB CF cards at around $63 with a volume discount.  Those same cards are now $49.95 – even if you only buy one card.
Here’s a link to all of the SanDisk stuff on sale at B&H.

Gary Fong Lightsphere Versus a Piece of Tupperware



Jim Harmer of Improve Photography conducted an interesting experiment in which he stacked the Gary Fong Lightsphere up against an ordinary piece of tupperware:
The Gary Fong Lightsphere costs $50. For a hunk of rubber that produces only marginal improvements over the on-camera flash in my opinion, that is just way too much money. The fact is that the darn thing looks like a piece of tupperware to me. So, I got curious. Was this product doing anything that any other hunk of plastic couldn’t do?
His conclusion is that there was absolutely no difference in quality, and that you should save your money by using a makeshift diffuser.
Gary Fong Lightsphere vs. Tupperware [Improve Photography]

martedì 1 novembre 2011

Datacolor Spyder iPad and Camera Calibration Tools

I sat down with David Tobie from Datacolor to learn more about their tools for camera calibration, as well as a free iPad screen calibration App. Check out the above video and get a closer look at specs on Datacolor’s website. Check out the individual products via the links below. Spyder iPad Calibration App Spyder3 SpyderLensCal SpyderCube SpyderChekr This PhotoPlus 2011 coverage is sponsored by B&H Photo, which Photography Bay proudly recommends as the number one source for all your photographic needs. B&H Photo is located online at www.bhphotovideo.com and in New York City at its 70,000+ sq. ft. SuperStore.

Pentax Q and K-5 Cashback

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Pentax are offering £100 cashback on the Q compact system camera and £90 on the K-5 DSLR. Both cash back campaigns will run from 1st November to 31 December 2011. Consumers can visit http://www.pentax.co.uk/qcashback or http://www.pentax.co.uk/k5cashback for further details.
PENTAX RICOH IMAGING UK LTD Press Release
Added bonus this Christmas with PENTAX
PENTAX RICOH IMAGING UK LTD is giving consumers another reason to celebrate this Christmas by offering fantastic cash back promotions on two of its flagship products. 
Consumers who want the latest gadgets on the market, can purchase the brand new PENTAX Q and be guaranteed to receive a fantastic £100 cash back on either the PENTAX Q single or twin lens kits.

The superb new PENTAX Q is currently the world’s smallest, lightest, interchangeable lens system camera.
The tiny PENTAX Q has a host of fabulous features including a 12MP image stabilised CMOS sensor and full HD Video as well as a range of newly developed, super-compact Q-mount lenses perfectly proportioned to complement its size.
Consumers interested in owning a top of the range DSLR can purchase the high performance PENTAX K-5 and receive £90 cash back on either the PENTAX K-5 body or the PENTAX K-5 with any PENTAX lens.
The K-5 digital SLR is solidly built and durable for reliable operation even in harsh environments.  This model comes equipped with a host of advanced photographic tools for the easy creation of great pictures, in a high performance camera 16 megapixel camera.
Both cash back campaigns will run from 1st November to 31 December 2011.
Consumers can visit http://www.pentax.co.uk/qcashback or http://www.pentax.co.uk/k5cashback to download all the information they need to claim their cash back. Alternatively consumers can contact the Pentax Support Line on             0844 770 2206       for assistance.
About PENTAX RICOH IMAGING UK
PENTAX RICOH IMAGING UK is a leading supplier of recreational cameras and photographic equipment world-wide, with a long standing UK brand heritage.  Its product range is extensive and includes state of the art digital SLR, medium format and zoom compact cameras and an extensive range of high performance lenses and accessories.  In addition, it has a superb range of binoculars, suitable for a variety of leisure activities.
The Company successfully distributes its products through a number of channels, including independent camera shops, mass merchandisers and national multiple retailers - both on and offline.
PENTAX RICOH IMAGING UK LTD is a subsidiary of RICOH IMAGING COMPANY LTD of Japan.
For more information visit http://www.pentax.co.uk/photo 
For further information, images or to order a product to review, please contact: Nicole, Jess or Maddie on             0118 920 7675       or email pentaxuk@escapadepr.com

Fujifilm FinePix REAL 3D V3 Viewer

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The Fujifilm FinePix REAL 3D V3 Viewer takes your viewing of 3D still photos and movies to the next level. The 7.2-inch screen is substantially brighter than its predecessor and now uses a lenticular system for glasses-free 3D viewing, plus the V3 Viewer also supports High Definition 3D still photos and movie playback as well as compatibility to other 3D devices via HDMI input.
Fujifilm UK Press Release
FinePix REAL 3D V3 - 3D Digital Viewer - Brighter, glasses-free!
Fujifilm continues to stay at the forefront of 3D imaging technology with the introduction of the new FinePix REAL 3D V3. FinePix REAL 3D V3 sports some exciting new functionality that takes your viewing of 3D still photos and movies to the next level.
Key improvements have been made to the screen, which is substantially brighter than its predecessor and now uses a lenticular system for glasses-free 3D viewing, plus the V3. Viewer also supports High Definition 3D still photos and movie playback as well as compatibility to other 3D devices via HDMI input: a world’s first in a 3D Digital Viewer*.
Glasses-free LCD monitor
The FinePix REAL 3D V3 Viewer is the first from Fujifilm to use a lenticular system for viewing images. The “no-glasses required” system makes for crystal clear 3D images, and don’t suffer from any on-screen flickering.
Images are viewed through a series of lenses aligned on a sheet at left and right angles. As a result, the left and right eyes view different images with the parallax difference between the two eyes creating the 3D effect. With 2.88 million dots and LED backlighting, you will be able to see images with amazing sharpness and clarity.
Naturally, the V3 Viewer doesn’t only support 3D still photos and movies, standard 2D still photos and movies can also be viewed at a maximum resolution to 10,000 x 10,000 pixels. The full colour display offers an impressive 16.77 million colours to provide superb colour accuracy and has a wide viewing angle of up to 160° horizontally and 140° vertically.
HDMI compatibility - a world’s first
With the range of 3D products expanding, Fujifilm has become the first company to incorporate an HDMI input on a 3D viewer, which extends its compatibility and versatility. 3D images can be viewed by connecting HDMI-enabled 3D devices including FinePix REAL 3D W3 digital camera, Blu-ray disc players, video camcorders and gaming machines to the FinePix REAL 3D V3 Digital Viewer.
Bring your 3D High Definition movies to life on the new V3 viewer
Users capturing 3D movies can view them in 720p High Definition on the FinePix REAL 3D V3 Digital Viewer, a substantial improvement over the VGA-only offering from the V1 Viewer.
What’s more, the V3 Viewer’s built-in stereo speakers offer high quality sound to enhance the movie viewing experience.
Additional functionality for greater versatility
The FinePix REAL 3D V3 Digital Viewer offers a range of viewing options to ensure the still photos and movies are seen at their very best. Its black frame emphasises the 3D effect while the supplied stand can be adjusted in eight steps so you’re always assured of seeing the perfect 3D image. In addition the V3 Viewer can be mounted on a pocket tripod and finely adjusted to display optimum 3D images.
Additional built in features include a slideshow function, calendar, clock and timer displays, plus the compatibility to play WAV audio files in slideshow mode and support SD and SDHC memory cards. A remote control is also provided for hands-free operation.
Fujifilm FinePix REAL 3D V3 Viewer key features:
• 7.2-inch 3D lenticular display for glasses-free viewing
• 2.88 million dots
• Wide viewing angle (160° horizontally, 140° vertically) in the 2D images played mode
• Can be playback the High Definition 3D still photo and movies via HDMI interface (High-speed type)
• 720p HD movie compatible
• Built-in stereo speakers
• 512MB internal memory
• SD/SDHC card compatible
* Correct October 2011

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Lapse It for Android

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Lapse It is a new app for taking time lapse videos with your Android device. This app uses a unique and powerful render engine based on LibAV that creates amazing videos with the pictures that it will take at regular intervals of time. This new version brings more integration with social engines, special effects for the images, zoom controls and the long time requested auto-focus. The app allows users to capture videos up to 720p (1080p soon) in the Pro version.
You can try it for free now at Android Market https://market.android.com/details?id=com.ui.LapseIt or visiting the app website at http://www.lapseit.com

Nikon 1 Series Overview



I had the chance to sit down with a Nikon technical manager and talk about the new V1 and J1 mirrorless cameras. 
The biggest difference for me when handling the Nikon V1 and J1 is the lens size.  In my Sony NEX-5N review, I pointed out that the lens size was a shortcoming of an otherwise compact system.  And while I’m not ready to say the Nikon 1 Series is better or worse than the Sony NEX or Olympus/Panasonic Micro Four Thirds systems, it is clear that the 2.7x crop sensor allows for a much more proportional lens design that “fits” the camera body better.


The camera body size of the Nikon 1 Series cameras is not so much smaller than compact mirrorless cameras like the Olympus E-PM1.
Nikon J1 and Olympus E-PM1
When you hold the cameras in your hand though, it’s clear that the bigger kit lens on the Olympus E-PM1 is more cumbersome on the compact camera body.  That said, it’s not so extreme as the NEX series with its APS-C sensor, which require bigger, DSLR-sized lenses.
The Nikon 1 Series impresses on size, speed and feature set.  Of course, there’s a whole lot more to determining whether its the right camera for you.  Nikon says the target market isn’t the DSLR user base.  And, I think they’re right about that.  I think the Nikon 1 Series fits the point and shoot users who are ready to move up to something a little higher quality, but may be a little intimidated by DSLRs.  Time will tell if the Nikon 1 Series becomes a hit in spite of its late arrival to the mirrorless market.
This PhotoPlus 2011 coverage is sponsored by B&H Photo, which Photography Bay proudly recommends as the number one source for all your photographic needs.  B&H Photo is located online at www.bhphotovideo.com and in New York City at its 70,000+ sq. ft. SuperStore.

Beautifully Detailed Photos of Splashes


German photographer Heinz Maier only started doing photography last year, but his stunning photographs of water drop splashes are already taking the Internet by storm. By using a macro lens and colored filters, Maier makes tiny splashes of liquid look like intricate glass sculptures.





Maier has also shared photos of his setup and his lighting gear. You can find more of these splash photos in this Flickr set.
Splashes (via Colossal)

A Glimpse of Photoshop CS6: Darker UI, Perspective Crop, and Auto Save


Early beta versions of Photoshop CS6 (codenamed “Superstition”) have already made it into the hands of testers, and information about changes and new features is slowly starting to emerge. AppleInsider has published some screenshots of the new program, which apparently comes with a darker, Aperture-esque user interface. There’s a number of new features geared towards working with 3D, a mysterious new “Remix Tool” inside the healing brush pallet, and a “Perspective Crop” tool. There’s also new auto-save options that help you save your work automatically in the background.
At this point, it doesn’t seem like we’ll be seeing Image Deblurring appear in CS6. Adobe is rumored to be shooting for a CS6 launch around May 2012.
(via AppleInsider via 1001 Noisy Cameras)