giovedì 6 settembre 2012

Hasselblad UK Launches New UK Webstore

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Hasselblad UK has just launched a new webstore listing the full range of Hasselblad and Broncolor equipment. Chris Russell-Fish, Managing Director Hasselblad UK said: “Our customer research tells us that this online purchase option will benefit our customers - especially those that might live many miles away from a dealer and need certain accessories and small items quickly.” The new site can be accessed via the link below.
Website: Hasselblad UK Web Store
Hasselblad Press Release
Hasselblad UK launches new UK Webstore
06/09/2012 The new online store will list the full range of Hasselblad and broncolor equipment, full UK service and warranty information, plus upcoming seminar/lecture subjects and dates. The website will also offer free post and packaging for items over £250 and will feature second-hand and ex-demonstration or refurbished Hasselblad and broncolor equipment.
The announcement comes a year after the successful launch of the Hasselblad USA Webstore and aims to accelerate and simplify purchase challenges for customers in the UK.
Chris Russell-Fish, Managing Director Hasselblad UK said: “Our customer research tells us that this online purchase option will benefit our customers - especially those that might live many miles away from a dealer and need certain accessories and small items quickly. Many people call us each week for various accessories and components and this interface will provide a seamless link and rapid product delivery. Of course we will continue to fully support our dealer network, which will remain the ideal route for a substantial camera purchase, but the Webstore will be an easily accessible shop window for all Hasselblad and broncolor products.”
The new site, which will also list the prestigious Hasselblad Masters Book and VICTOR magazine from the end of September, can be accessed from the main Hasselblad UK website or directly on http://www.hasselbladukstore.co.uk. It will also list all upcoming Hasselblad and broncolor seminars and training courses, (including Studiodays) and delegates will be able to log on, register (for free events) or book and pay online to guarantee their places.
http://www.hasselblad.co.uk
http://www.hasselbladukstore.co.uk

Photo Ninja

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PictureCode today released Photo Ninja, a new professional-grade raw converter and image editor. The result of an intensive R&D effort at PictureCode, Photo Ninja was developed with active participation from a diverse group of professional and enthusiast photographers in an extended beta test. Jim Christian, founder of PictureCode, explains that “After we released Noise Ninja back in 2003, it quickly gained wide adoption and a reputation for excellence. Based on feedback from the beta test, I believe the same thing will happen with Photo Ninja. It has been an incredibly challenging project, but we have managed to develop highly effective technology in several key areas, and users are reporting excellent results and ease of adjustment.”  Licence keys are being sold for $129 with a year of free software updates. Until 15 October 2012, owners of a Noise Ninja licence can purchase a Photo Ninja license for a discount of 25% to 85%, depending on the type and issue date of the Noise Ninja licence.
Picturecode Press Release
PICTURECODE RELEASES PHOTO NINJA RAW CONVERTER WITH EMPHASIS ON IMAGE QUALITY
AUSTIN, TEXAS. September 5, 2012 - PictureCode has released Photo Ninja, a new professional-grade raw converter that offers powerful new tools for getting the best possible results from a digital image.
According to early users, Photo Ninja delivers crisp and impressive detail, and images have a uniquely pleasing and realistic look. Moreover, it superbly exploits the dynamic range of modern cameras, thanks to world-class algorithms for adaptive lighting, highlight recovery, and noise reduction.
The result of an intensive R&D effort at PictureCode, Photo Ninja was developed with active participation from a diverse group of professional and enthusiast photographers in an extended beta test.
Jim Christian, founder of PictureCode, explains that “After we released Noise Ninja back in 2003, it quickly gained wide adoption and a reputation for excellence. Based on feedback from the beta test, I believe the same thing will happen with Photo Ninja. It has been an incredibly challenging project, but we have managed to develop highly effective technology in several key areas, and users are reporting excellent results and ease of adjustment.”
License keys are being sold for $129 with a year of free software updates. Until October 15, owners of a Noise Ninja license can purchase a Photo Ninja license for a discount of 25% to 85%, depending on the type and issue date of the Noise Ninja license.
Details, case studies, examples, and the software are available on the PictureCode website at http://www.picturecode.com.

Adobe Photoshop Touch 1.3

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Adobe today announced the immediate availability of Photoshop Touch 1.3. Offering core Photoshop features in an app specifically designed for iPad and Android tablets, Adobe Photoshop Touch 1.3 adds Retina display support, the ability to work on high-resolution images up to 12 megapixels, two new effects, smoother animation and scrolling, a new three-finger tap gesture to toggle 100%-percent and fit-to-screen view, a new pixel-nudging mode for precise movements, and support for Apple Photo Stream and two new languages, Russian and Brazilian Portuguese. Adobe Photoshop Touch 1.3 is available as a free update for existing Photoshop Touch customers on the iTunes App Store or on Google Play; new users may purchase the app for £6.99.
Adobe Press Release
Adobe today announced the immediate availability of Photoshop Touch 1.3. Photoshop Touch offers core Photoshop features in an app specifically designed for iPad and Android tablets and gives users the ability to create layered images, make edits to their images and apply professional effects. Creations are easily shared with family and friends through Facebook or automatically synced through the Adobe Creative Cloud and refined in Photoshop CS6.

New features and enhancements available in Photoshop Touch 1.3 include:

Retina Display Support: See images like never before with the Retina display on the new iPad (third generation)

Higher-resolution capabilities: Work on high-resolution images while maintaining the highest image quality; supports images up to 12 megapixels

Two new languages: Now supporting Russian and Brazilian Portuguese

Two new Effects: Shred and Colorize

Smoother animation and scrolling in the organizer, tutorial browser and file picker

New three-finger tap gesture to toggle 100 percent view and fit screen

New pixel-nudging Mode for precise movements

Support for Apple Photo Stream

Various bug fixes

Pricing and Availability
Adobe Photoshop Touch 1.3 is available as a free update for existing Photoshop Touch customers on the iTunes App Store or on Google Play; new users may purchase the app for £6.99

PrimeCircle XT 15mm f2,8

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LockCircle has announced the new PrimeCircle XT 15mm f2.8 Custom ZF.2 Series professional lens for Canon and Nikon. Built around the world-class optics of the Carl Zeiss T* 15mm f/2.8 Distagon ZF.2 lens, the PrimeCircle XT 15mm f/2.8 features a specially engineered double front mount (95mm and 114mm) offers the choice to use film-style standard accessories, matte-boxes and filters. The exclusive X-Circle EF Mount shows the focus and aperture scales on the side (Side Index View)  for comfortable focus-puller work. The PrimeCircle XT 15mm 2,8 can be ordered now with a 4 weeks delivery schedule.
Lockcircle Press Release
Prime Circle XT 15mm f2,8 by LockCircle                           S U P E R   W I D E A N G L E   L E N S     EF Mount / F-Mount
LockCircle at IBC Amsterdam (7-11 September)  will present the new PrimeCircle XT 15mm f2,8 built around the ZF.2 world class optics.The new focal length will expand the PrimeCircle XT Custom Lens series with a masterpiece super wideangle with an extra-large angle of view of 110 degrees in combination with a fast f/2,8 aperture, the lens enables the features for dramatic perspectives and performance demanded by the most ambitious shooters!
The PrimeCircle XT 15mm incorporates two aspheric lenses combined and special glass material with abnormal partial dispersion to provide an extraordinary correction of chromatic aberration. A floating elements design guarantees high image quality all other the focus range!
The 15mm provides a broad field of coverage and is perfect for use in confined spaces or to provide dramatic point of views.
The Canon 5D and Nikon D800/ D4 users can benefit from the Full-Frame (24 x 36) coverage and the special engineered double front mount (95mm and 114mm) offers the choice to use film-style standard accessories, matte-boxes and filters.
The PrimeCircle MAT-BOX with special wideangle design offers full wideangle coverage without vignetting on ANSI Super 35 (24.9 X 18.7mm) and APS-H sensors.
The exclusive X-Circle EF Mount (pat.pend.) shows the focus and aperture scales on the side (Side Index View)  for a comfortable focus-puller work.
Available in EF Mount and F-Mount (interchangeable) with exclusive patent pending Cine-Lock EF Mount for a extra-locking lens mount for precise and professional follow-focus work. 
The PrimeCircle XT 15mm 2,8 can be ordered now with a 4 weeks delivery schedule.
PrimeCircle XT Highlights
- ZF.2 world class optics for superb images
- achieves outstanding detail and colour rendition at full aperture
- anti-reflective coating, sophisticated lens treatment
- full-frame 24 x 36mm coverage
- close focus 0,25m (10”)
- exclusive cine-mod with double front mount: 95mm and 114mm
- Side Index View for precise follow -focus work
- aperture de-click and ring dampening
- EF Mount and F Mount (interchangeable)
- X-Circle stainless steel bayonet with Cine-Lock (extra bayonet locking)
- can be used with PrimeCircle MAT BOX with cine-style filters (S35/APS-H)
- stainless steel bayonet for heavy-duty work
- XE edition coming soon (built on ZE lenses) with electronic aperture control

PaintShop Pro X5

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Corel today launched Paint Shop Pro X5, the latest version of its photo editing application for Windows. This release includes updates and refinements to features like layer styles, brushes and HDR imaging tools. PaintShop Pro X5 also boasts new creative tools including Retro Lab, an Instant Effects palette and a Graduated Filter effect. Also new to X5 are the social media integration and organisational tools like face recognition and Share My Trip, which gives users the ability to share map-based interactive slideshows. PaintShop Pro X5 is available now in English, French, Italian, German and Dutch for £59.99. Users of PaintShop Pro X3 or higher are eligible for upgrade pricing of £44.99.
Corel Press Release
New PaintShop® Pro X5 Combines Photo Editing & Design Tools for a Powerful All-in-One Solution
Expertly organise, edit, and share artistic vision with ease
Maidenhead, UK – Wednesday 5 September 2012 – Today Corel® announced the release of PaintShop® Pro X5, its robust consumer photo editing and creative design solution. PaintShop Pro X5 delivers all the powerful editing and digital design tools needed to produce stunning images and professional works of art. With easy-to-use, pro-quality tools and built-in learning resources, every level of user, from aspiring amateur to seasoned professional, will be able to expertly organise, edit, and share their photographic and artistic visions with ease.
The latest release includes updates and refinements to PaintShop’s most popular features like layer styles, brushes and High Dynamic Range (HDR) tools. PaintShop Pro X5 also boasts new creative tools including Retro Lab, an Instant Effects palette and a Graduated Filter effect. Also new to X5 are the innovative social media integration and organisational tools like face recognition and Share My Trip which gives users the ability to share map based interactive slideshows.
“Consumer needs have always been the driving force behind enhancements included in new releases of PaintShop Pro and X5 is the perfect example,” said Matt DiMaria, Executive Vice President and General Manager of Digital Media at Corel. “Our customers come from a wide variety of professions and creative backgrounds, so we’ve listened to their feedback and tailored and refined the new tools and updates in X5 to fit their specific needs. Thanks to the community’s involvement and support, we are confident that this release delivers a depth and range of features that make PaintShop Pro X5 a valuable and beneficial upgrade.”
Highlights of New and Enhanced Tools:
NEW! Instant Effects palette: Includes a variety of pre-set effects and styles such as Artistic, Film, Black & White, and Landscape, plus users can create their own!
NEW! Retro Lab: Create and apply old-school color and contrast effects to photos to achieve a distinctive look inspired by early or toy cameras
Enhanced! High Dynamic Range tools: Create intense B&W contrast, easier photo alignment, and the application of pre-sets to HDR batch processing
NEW! Single RAW Photo: Allows users to create HDR results using a single RAW photo
NEW! Graduated Filter effect: Semi-transparent color gradients that simulate the effect of using different on-camera filters
Enhanced! Layer Styles: Includes the ability to apply styles such as drop shadow, glow and reflections directly from the Layers palette
NEW & Enhanced! Paint Brush: New Watercolor brush plus enhanced ability to import Adobe Photoshop brushes
NEW & Enhanced! Corel Guide: Built-in instructional videos, easy-to-follow tutorials and free downloadable content such as PictureTubes™, picture frames, brushes, presets and more
NEW! Places: Maps photos to specific real-world locations that enable users to quickly view and search photos based on their geographical info
NEW! Share My Trip: Share your travel photos online with a slideshow that links photos directly to an interactive map
NEW! People: Face recognition technology that helps users identify and tag individuals for easier photo management and social sharing
Also introducing PaintShop Pro X5 Ultimate
Also available today is PaintShop Pro X5 Ultimate. This release combines all the powerful photo-editing and design tools of PaintShop Pro X5 with valuable creative extras. Users can explore their creativity with award-winning Nik Color Efex Pro 3.0 photographic filters, and REALLUSION FaceFilter Studio 2.0 portrait-enhancement tools. Also included is a collection of over 100 unique brushes, textures and royalty-free backgrounds, making this product exceptionally good value.
Pricing and Availability
PaintShop Pro X5 is available now in English, French, Italian, German and Dutch, and can be purchased immediately as an electronic download (ESD) from http://www.corel.com or from Corel’s global resellers. Suggested retail pricing (SRP) is £59.99. Users of PaintShop Pro X3 or higher are eligible for upgrade pricing of £44.99. All prices are VAT included. Commercial and education volume licenses are also available. PaintShop Pro X5 will be also available in Russian, Spanish, Finnish and Polish starting from October.
PaintShop Pro X5 Ultimate is available now in English, French, Italian, German and Dutch at http://www.corel.com and at resellers for SRP £79.99 for the full version, and £59.99 for the upgrade. All prices are VAT included.
For more information about Paintshop Pro X5, or to download a free fully-functional trial version please visit http://www.corel.com/paintshoppro

Perfect Photo Suite 7

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onOne Software has announced the upcoming availability of Perfect Photo Suite 7. This version offers new easy-to-use, yet powerful tools to develop black-and-white images, enhance, stylise and correct images, retouch portraits and prepare all images, including mobile snapshots, for enlargement and print. Perfect Photo Suite 7 includes the brand new module Perfect B&W, Perfect Effects 4, Perfect Portrait 2, Perfect Layers 3 and Perfect Resize 7.5 Pro­–powered by Genuine Fractals technology, Perfect Mask 5.2 and FocalPoint 2. The new Perfect Photo Suite 7 will ship in late October 2012 for $299.95.  Owners of Perfect Photo Suite 6, Perfect Photo Suite 5, and Plug-In Suite 5 or earlier can upgrade to Perfect Photo Suite 7 for $149.95. For those who have purchased Perfect Photo Suite 6 on or after August 1, 2012, onOne Software will issue a complimentary upgrade.
onOne Press Release
onOne Software Announces Perfect Photo Suite 7
New version of all-in-one software suite offers photographers the easiest way to develop stunning black and white photography, more ways to create images with impact, improved portrait retouching, layered file workflow, image resizing tools and more
Portland, OR – September 5, 2012 – onOne Software, Inc., a leading developer of innovative, time-saving solutions for professional, advanced amateur and hobbyist photographers, today announced Perfect Photo Suite 7 for Adobe® Lightroom®, Photoshop®, Apple® Aperture® and as a standalone application. Improved to give photographers even more ways to maximize their creativity and solve common problems in digital photography, Perfect Photo Suite 7 now offers new easy-to-use, yet powerful tools to develop stunning black and white images, enhance, stylize and correct images, retouch portraits and prepare all images, including mobile snapshots, for enlargement and print. Perfect Photo Suite 7 includes the brand new module Perfect B&W, Perfect Effects 4, Perfect Portrait 2, Perfect Layers 3 and Perfect Resize 7.5 Pro­–powered by Genuine Fractals technology, Perfect Mask 5.2 and FocalPoint 2.

Improved workflow integration and a significantly redesigned user interface allow photographers to focus on their image editing while working seamlessly within their preferred workflow. Users can select their image from Lightroom, Photoshop, Photoshop Elements or Aperture, send it directly to the Perfect Photo Suite 7 module of their choice, make adjustments, then immediately return it to their original photo editing or organization application.

The new modules in Perfect Photo Suite 7 also include the new Perfect Brush giving users the ability achieve precise edge-detected masking quickly. It smoothly applies or removes adjustments to the specific areas being worked on without crossing over the edges around it. A redesigned browser with Search functionality and a Favorites panel allow users easy access to the specific effects and presets they’re looking for. Photographic effects, designed by industry experts specifically for onOne Software, are also easily accessible alongside manual controls to give photographers the option to create professional looking images with one click or fine-tune adjustments to create the specific look they desire.

“We are very excited about Perfect Photo Suite 7,” said Craig Keudell, president of onOne Software. “It is the result of what our customers have been asking for so they could work more quickly and easily, yet still create high quality images. The addition of Perfect B&W and the improvements to Perfect Effects, Perfect Portrait, Perfect Layers and Perfect Resize now give photographers even more creative options and trusted results.”

Perfect Photo Suite 7 includes full versions of the following onOne Software products:

Perfect B&W (New!): Perfect B&W is the completely brand new module that helps photographers develop stunning black and white images quickly and easily. It includes powerful and intuitive tools that add dramatic, elegant, and classic black and white looks to images instantly and offer users complete creative control to reproduce time-honored black and white processing techniques.

Perfect Effects 4 (New!): Perfect Effects 4 extends the creative power offered by the popular PhotoTools and provides even more ways to create images with impact. Perfect Effects 4 delivers an extended library of photographic effects, frames and edges, and presets designed by industry experts, via a flexible new browser with keyword search functionality and Favorites selection. New blending modes and paint-in brush effects offer even more creative options for how effects are combined and applied.

Perfect Portrait 2 (New!): Perfect Portrait 2 offers simply power portrait retouching, now improved with more accurate automated feature detection and enhancement tools to smooth skin, remove blemishes, brighten eyes and teeth, and correct skin color. Faster processing speeds also allow photographers to retouch images more quickly for simply stunning portraits.

Perfect Layers 3 (New!): Perfect Layers 3 gives photographers the ability to combine images and extend their image editing options in a layered file workflow without Photoshop. Create and edit multi-layered files with Perfect Layers directly from Lightroom, Aperture or as a standalone application. Included are new blending modes, textures, borders, PNG file support, and the powerful new edge-detecting Perfect Brush.

Perfect Resize 7.5 Pro (New!): Perfect Resize is the industry standard for image enlargement. It is renowned across the photographic and printing industries for its ability to increase image size well over 1000% without the loss of sharpness or detail that is normally expected. Now, proven Genuine Fractals technology has been applied to new algorithms that optimize the clarity and detail of different image types, including mobile snapshots.

Perfect Mask 5.2 (Improved!): Create high quality masks quickly and easily with automated functionality and powerful tools that make selecting subjects and isolating backgrounds for removal extraordinarily accurate. Redesigned user interface allows you to focus on your image editing while keeping your most used tools readily accessible.

FocalPoint 2: FocalPoint 2 allows photographers to put the focus where they want after the shot. It’s the best way to add the most realistic depth of field and selective focus control to any image after it is photographed. Choose from a selection of lens presets to produce specific bokeh or adjust the amount and kind of blur you want.

To learn more about what’s new in Perfect Photo Suite 7, daily videos offering sneak peeks of the new software are being posted prior to its ship date. The videos may be viewed on the onOne Software Coffee Talk series at http://www.ononesoftware.com/products/suite7/coffeetalk.

Availability and Pricing
The new Perfect Photo Suite 7 will ship in late October 2012. Pre-orders are available immediately and will include a complimentary Perfect Photo Suite 7 Creative Companion DVD with purchase through September 20, 2012. The Creative Companion DVD includes training and inspirational videos, Photoshop templates from Graphic Authority and unique presets for the suite ($140 value). Owners of Perfect Photo Suite 6, Perfect Photo Suite 5, and Plug-In Suite 5 or earlier can upgrade to Perfect Photo Suite 7 for $149.95. Perfect Photo Suite 7 is available to new users for $299.95. Pre-orders may be made at http://www.ononesoftware.com/store. For more information on Perfect Photo Suite 7, please visit http://www.ononesoftware.com. For those who have purchased Perfect Photo Suite 6 on or after August 1, 2012, onOne Software will issue a complimentary upgrade to Perfect Photo Suite 7 via download when it is available in late October 2012.

About onOne Software
onOne Software®, Inc., a leading developer of innovative software tools for photographers, develops time-saving software solutions for professional and advanced amateur photographers. onOne Software solutions have been created to help photographers spend more of their time behind the camera taking pictures instead of the computer workstation. Such solutions include a wide range of easy-to-use standalone applications and plug-in enhancements for Adobe® Photoshop®, Photoshop Elements, Photoshop Lightroom®, Apple® Aperture®, and iPhone® and iPad® applications. Founded in 2005, onOne Software is a privately held company located in Portland, Oregon. For additional information, visit http://www.ononesoftware.com or call 1-888-968-1468.
©2012 onOne Software, Inc. All rights reserved. onOne Software, the onOne Software logo and Focused on Photography are registered trademarks in the United States, and are the property of onOne Software. Perfect Photo, Perfect B&W, Perfect Portrait, Perfect Layers, Perfect Effects, Perfect Mask, Perfect Resize, FocalPoint and Genuine Fractals are trademarks of onOne Software. Adobe, Photoshop, Photoshop Elements and Lightroom are registered trademarks of Adobe Systems, Inc. Apple and Aperture are registered trademarks of Apple Computer, Inc. All other trademarks are property of their respective owners.

onOne Software Announces Perfect B&W

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onOne Software has announced Perfect B&W, a brand new product that is claimed to offer photographers the easiest way to convert their images into black and white. “The ability to master black and white photography with a camera and darkroom techniques has been a long respected art form that has required much knowledge and practice to achieve,” said Craig Keudell, president of onOne Software. “We wanted to develop a black and white image creation product that would deliver amazing, professional caliber results in a simple to use application. Perfect B&W offers presets designed by industry experts for one-click results, along with manual controls that replicate time-honored processing techniques and offer photographers the ability create their own looks quickly and easily.” The new Perfect B&W is now available for pre-order as part of the Perfect Photo Suite 7 for $299.95, which will ship in late October. It will be available later this Fall as an individual plug-in and standalone product for $99.95.
onOne Press Release
onOne Software Announces Perfect B&W
Brand new product from onOne Software provides photographers with the easiest way to develop stunning black and white images
Portland, OR – September 5, 2012 – onOne Software, Inc., a leading developer of innovative, time-saving solutions for professional, advanced amateur and hobbyist photographers, today announced Perfect B&W, part of the new Perfect Photo Suite 7 that was also announced today.

Perfect B&W is a completely brand new product that offers photographers the easiest way to develop stunning black and white digital images. It includes powerful and intuitive tools that give photographers instant results and complete creative control to replicate time-honored black and white processing techniques. With Perfect B&W, photographers can add dramatic, elegant and classic monochromatic looks to their images, and create the many moods black and white photography can evoke — resulting in beautiful and provocative imagery.

“The ability to master black and white photography with a camera and darkroom techniques has been a long respected art form that has required much knowledge and practice to achieve,” said Craig Keudell, president of onOne Software. “We wanted to develop a black and white image creation product that would deliver amazing, professional caliber results in a simple to use application. Perfect B&W offers presets designed by industry experts for one-click results, along with manual controls that replicate time-honored processing techniques and offer photographers the ability create their own looks quickly and easily.”

Key Benefits of Perfect B&W:
Includes Search-Friendly Library of Expertly-Crafted Presets: Dramatic, romantic, elegant, vintage and classic looks may all be achieved in a single click with the more than 100 black and white presets included in Perfect B&W. Find the preset you want to use quickly with visual thumbnails in the browser or with the built-in keyword search. Tag your favorites for easy future access.

Real-Time Previews: Explore the look of different presets on your image in a browser that can be expanded to show more detail or click a preset to see it on your image on a full-screen before you apply it.

Essential Adjustment Brushes: Precisely dodge and burn, add contrast and detail, and apply selective color with a set of powerful brushes designed specifically for black and white image processing. Control how much and where you want to apply your effect with simple brush strokes. Wacom® tablet users can control brush size and strength using built-in pen pressure and sensitivity support.

Perfect Brush: Paint inside the lines with precision using the NEW edge-detecting Perfect Brush! Whether you’re painting in effects, detail, contrast, highlights or selective color, the Perfect Brush will apply adjustments smoothly to the specific area you’re working on while automatically recognizing the edges around it.

Blending Modes: Use Blending Modes to blend your black & white image with your original to achieve a unique hand-painted or grungy contrast look. Choose from a selection of 30 modes to change the brightness, contrast, and color of your image and dramatically alter its appearance.
Toner Presets: Imply mood, add depth and create striking contrast within your images using the Toner Presets in Perfect B&W. Select from a collection of toners including the popular copper, cyanotype, selenium, sepia and more—or build your own.

Filter Presets: Get the effect of photographic filters after the shot. Use built-in color filter presets to enhance contrast in your images and adjust the relative brightness of the details you care about, whether it’s the sky, foliage, or people.

Tone Curve: Optimize the balance of tone and contrast in your image with the Tone Curve. Adjust your shadows, mid-tones and highlights to create the exact look you want.

Film Grain: Add the timeless look and feel of vintage film stock using our library of authentic film grain. Choose from a selection of carefully crafted film types that integrate realistic grain onto your images.

Borders, Edges and Vignettes: Accentuate your images with flexible vignettes and authentic film & darkroom edge effects of sloppy borders and print edges.

Supports Any Workflow: Integrate Perfect B&W seamlessly into your workflow no matter what tools and software you use. It works as a plug-in to Adobe® Photoshop®, Photoshop Elements, Lightroom® or Apple® Aperture® where you can send your images directly into Perfect B&W, make your adjustments, then get them right back to your photo editing workflow. You can also use Perfect B&W as a standalone application all by itself.

Availability and Pricing
The new Perfect B&W is now available for pre-order as part of the Perfect Photo Suite 7 for $299.95, which will ship in late October. It will be available later this Fall as an individual plug-in and standalone product for $99.95. For more information on Perfect B&W, please visit http://www.ononesoftware.com/perfect-bw.

About onOne Software
onOne Software®, Inc., a leading developer of innovative software tools for photographers, develops time-saving software solutions for professional and advanced amateur photographers. onOne Software solutions have been created to help photographers spend more of their time behind the camera taking pictures instead of the computer workstation. Such solutions include a wide range of easy-to-use standalone applications and plug-in enhancements for Adobe® Photoshop®, Photoshop Elements, Photoshop Lightroom®, Apple® Aperture®, and iPhone® and iPad® applications. Founded in 2005, onOne Software is a privately held company located in Portland, Oregon. For additional information, visit http://www.ononesoftware.com or call 1-888-968-1468.

©2012 onOne Software, Inc. All rights reserved. onOne Software, the onOne Software logo and Focused on Photography are registered trademarks in the United States, and are the property of onOne Software. Perfect Photo, Perfect B&W, Perfect Portrait, Perfect Layers, Perfect Effects, Perfect Mask, Perfect Resize, FocalPoint and Genuine Fractals are trademarks of onOne Software. Adobe, Photoshop, Photoshop Elements and Lightroom are registered trademarks of Adobe Systems, Inc. Apple and Aperture are registered trademarks of Apple Computer, Inc. All other trademarks are property of their respective owners.

Fujifilm X-Pro1 Firmware Update 2.00

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Fujifilm has announced a firmware update for the Fujifilm X-Pro1 compact system camera. Version 2.00 promises a “significant improvement” in auto focus speeds in challenging lighting conditions, and also makes it easier to focus the camera manually. The firmware upgrade also enables the Fujifilm X-Pro1 to “write to memory card twice as fast as before.” Firmware Version 2.00 will be available to download on 18th September.
Fujifilm Press Release
Firmware update ver 2.00 improving the performance of the Fujifilm X-Pro1
Fujifilm is pleased to announce the release later this month of new firmware for the Fujifilm X-Pro1, designed to improve performance and enhance the users’ photographic experience.
Since the launch of the X-Pro1 in early 2012, Fujifilm has received customer feedback on the camera’s performance and is addressing the issues raised by launching a firmware upgrade.
On the installation of the new firmware, consumers will see a significant improvement in speed of Auto Focus, improved manual focus and processing/ writing speeds.
Improvements made after firmware update:
1.Improved performance of auto focus*1
Focussing in challenging lighting conditions, where light is low or bright, will now be much faster in Auto Focus mode. The focusing distance has also been improved, allowing you to get closer to the subject and capture a great shot without switching to macro mode.
2.Manual Focus improved performance
Improved operability
The speed of the image coming into focus when turning the focus ring has been vastly improved. When adjusting the focus ring using the electronic viewfinder or the LCD panel on the back of the camera it is now much easier to focus, always displaying the image closer to full aperture with minimum depth of field.
New addition of 3x magnification for checking focus
The 10x magnifications / focus check feature on the X-Pro1 has been well received and in this firmware update an additional 3x option is now available. It is also now possible to find the optimum focus point whilst viewing the entire screen.
3.Improved writing speed/ processing speed.
Improved writing speed to memory card
At maximum speed the X-Pro1 can now write to memory card twice as fast as before. *2
Improved speed for playback after shooting
Image playback now occurs less than one second after pressing the image playback button. On some occasions previously, for example when using continuous shooting, you had to wait until the images had been processed before they were shown on screen.
4. Other additional functions:
1.Auto (6400) has been added to the ISO setting. This increased ISO not only speeds up the shutter speed, but also stabilises the image and mitigates blurring of the subject.
*1: The effect will differ according to the lens attached.
*2: the effect will differ according to the card type and image compression.

Launch date of the dedicated firmware: September 18th, 2012 6:00a.m. (GMT) 
To enable these features, please update the firmware of your Fujinon XF lenses at the same time.
The firmware can be downloaded from “Support” on the Fujifilm website. Please go to the support website below for details on other changes. Firmware available at Fujifilm global website: http://www.fujifilm.com/support/digital_cameras/

Fujinon XF 14mm F2.8 R and 18-55mm F2.8-4 R LM OIS

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Fujifilm has added two new models to the Fujinon XF Lens range bringing the total number of lenses available to five. The 21mm equivalent Fujinon XF 14mm f/2.8 R ultra-wideangle prime lens is constructed of 10 elements in 7 groups, including 2 aspheric and 3 extra low dispersion elements, and a seven-blade rounded diaphragm. The lens features distance and depth of field scales on the barrel, making it suitable for zone focussing. The other lens, the 27-84mm equivalent Fujinon XF18-55mm F2.8-4 R LM OIS, is a compact standard zoom with optical image stabilisation and a linear motor-driven focussing system that allows the camera to lock focus on the subject in a matter of 0.1 second. In the US, the Fujinon XF14mm f/2.8 and XF18mm-55mm f/2.8-4 lenses will be available in November for $899.95 and $699.95, respectively. Availability and pricing for the UK have yet to be communicated.
Fuji Press Release
Expanding the FUJINON XF Lens line up for FUJIFILM’s X series interchangeable cameras
FUJIFILM Corporation (President: Shigehiro Nakajima) is pleased to announce the launch of two new models to the FUJINON XF Lens range bringing the total number of lenses available to five, offering much broader photographic appeal.
Fujinon XF lenses are the pinnacle of Fujifilm’s optical design technology, with top quality all-glass construction including aspheric lens elements. Developed with particular attention to corner resolutions and vignetting, the Fujinon XF lens line up eliminates chromatic aberration.  Their fast f-stop broadens users’ scope of photographic expression, such as low-light photography and scenes with beautiful bokeh effects.  The lenses have FUJINON’s “Super EBC Coating” to reduce reflection at a wider range of wavelengths, thereby controlling ghosting.  The use of the 1/3EV step aperture ring enables delicate, tactile control of exposure and depth of field.
1. The compact FUJINON “XF18-55mm F2.8-4 R LM OIS” lens, the first short zoom lens in the Fujinon XF lens range
This short zoom lens covers a range of frequently-used focal lengths from 18mm wide-angle to 55mm telephoto*. The lens structure consists of 14 elements in 10 groups, including 3 aspheric and 1 extra low dispersion elements, and a seven-blade rounded diaphragm. 
The linear motor-driven system delivers high-speed autofocus performance of 0.1 seconds to capture those perfect photo opportunities.  Silent operation also makes the lens suitable for video recording.
Advanced optical and mechanical designs have been used to keep the lens compact, despite offering fast aperture of F2.8 - 4.0 wide open.  It is a fast and highly mobile lens that delivers premium picture quality in a variety of scenes, being suitable for low-light photography or scenes with beautiful bokeh in the background.
It features an OIS (Optical Image Stabiliser) equivalent to 4 stops, controlling the effect of camera shake and preventing blurry shots. The lens is equipped with an aperture ring so that users can easily adjust the aperture while holding the camera up to their eye.
*Equivalent to 35mm format :27-84mm
2. Fujinon “XF14mm F2.8 R”, a stunning ultra wide-angle lens with high resolution into all corners
Advanced optical design has been used to overcome the distortion-prone tendency of ultra wide-angle lenses to control distortion without digital correction.  This contributes to achieving high resolution to all corners of this ultra wide-angle lens.
The lens structure consists of 10 elements in 7 groups, including 2 aspheric and 3 extra low dispersion elements, and a seven-blade rounded diaphragm. 
The lens features distance and depth of field scales on the barrel, making it suitable for a range of shooting techniques such as pre-focusing.
With the F2.8 wide open, the lens is suitable for low-light photography.  The short minimum shooting distance of 18cm means it can effectively blur the background while also giving a sense of perspective characteristic to ultra wide-angle lenses.
The FUJIFILM X Mount has a short back focus distance, preventing vignetting, to achieve clarity and brightness to all corners. Image distortion and chromatic aberration are well controlled to deliver high resolution to all corners of an image, making the lens perfect for landscape photography.
**Equivalent to 35mm format :21mm
[For FUJIFILM X-Pro1 and X-E1 customers]
Please update the firmware of your camera body when using these lenses for the first time.
The firmware will be supplied by SD card (bundled in Lens Box) or can be downloaded from “Support” on the Fujifilm Global website. Please go to the following URL for details. Both firmware updates will be available soon:
Fujifilm Global website: http://www.fujifilm.com/support/digital_cameras/

Fujifilm X-E1

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The Fujifilm X-E1 is a sixteen-megapixel compact system camera with a 2.36-million-dot EVF, fast auto-focus and a built-in flash. Other highlights include in-camera raw conversion, a range of film simulation modes, multiple exposure and panoramic shooting modes, a number of auto bracketing options and Full HD video recording capabilities. Featuring the same Fujinon XF lens X mount as the X-Pro 1, the Fujifilm X-E1 is compatible with the 3 existing XF lenses available, with 2 more arriving this year and 5 further additions in 2013. In the US, the Fujifilm X-E1 will be available in November for around $1,000 (body only) and ~$1,400 in a kit with the new 18-55mm f/2.8-4 OIS lens. UK availability and pricing have yet to be confirmed.
Fuji Press Release
FUJIFILM launches a second X Series interchangeable-lens camera, with image quality comparable to 35mm full frame D-SLR sensors
The FUJIFILM X-E1 Premium interchangeable-lens camera
FUJIFILM Corporation (President: Shigehiro Nakajima) is proud to announce the launch of the X-E1, the second interchangeable camera from the brand this year. Following hot on the heels of the highly acclaimed X-Pro1, the X-E1 boasts the same 16 megapixel APS-C X-Trans CMOS Sensor, packed into a smaller body, and a new top-class OLED electronic viewfinder and built-in flash. Featuring the same Fujinon XF lens X mount as the X-Pro 1, the X-E1 is compatible with the 3 existing XF lenses available, with 2 more arriving this year and 5 further additions in 2013.
With its convenient portable size and fast autofocus speed, the X-E1 promises to be an exciting addition to the X series range. Hitting the market later this year, the X-E1 is available in two colour variations; two-tone Silver for those looking for cool retro styling, and solid Black for photographers wishing to blend in with their surroundings and not draw the attention of their subjects.
Classical design for intuitive operation
Made in Japan, the X-E1 exudes a class and quality that can be seen from each of its components. The top and front covers are made from die-cast magnesium for a rigid, yet delicate design. And at roughly the same size as the FUJIFILM X100, the X-E1 is refreshingly compact and lightweight (just 350g(1)), in spite of its advanced feature set. With a rubber grip for additional hold, the X-E1 is a well balanced camera, and the centrally positioned X mount distributes the weight of the body and the lens evenly.
Its ease of use was paramount in the minds of FUJIFILM’s engineers when designing the X-E1. As on other X series models, the sides of the dials on the top panel feature a textured pattern for smooth adjustment. Users can turn the aperture ring on the lens with their left hand, and operate the dials for shutter speed and exposure compensation on the top panel with their right hand, for quick setting changes without having to take their eye off the viewfinder. Functions frequently used during shooting can be assigned to the Fn (Function) button for extra efficiency.
Despite a host of convenient features and lightweight design, the X-E1 can take approx. 350 shots per charge(2), allowing users to concentrate on their photography without having to worry about the remaining battery power. Additionally, the camera features a high-precision built-in flash equivalent to guide number of 7(3).  The use of the proprietary TTL metering system enables indoor shooting of close-up shots with an appropriate amount of light.
High-definition and high-luminance 2.36 million dot OLED electronic viewfinder
Unlike the X-Pro1 with its hybrid multi viewfinder, the X-E1 camera boasts an OLED electronic viewfinder with a resolution of 2.36 million dots, making it one of the highest resolutions available on digital cameras with EVFs(4). The viewfinder on the X-E1 has a unique lens structure consisting of two glass elements and one double aspherical element, which in conjunction with the OLED offers an incredibly high quality display.
The OLED panel offers a high resolution of 2.36 million dots, with a high contrast ratio of 1:5000(5) resulting in rich gradation and faithful reproduction of focus, exposure, white balance and film simulation effects in the viewfinder.
The two glass elements and one double aspheric element used in the viewfinder construction offer an experience similar to an optical viewfinder, with a clear, distortion and aberration free view to all corners of the image.
A wide 25 degree horizontal field of view allows the user to scan the entire scene quickly and easily. The inclusion of a soft resin on the eyepiece allows eyeglass wearers to comfortably use the viewfinder, whilst the diopter dial allows you to adjust the distance between your eye and the EVF, to a position suited to your viewing preference.
Featuring FUJIFILM’s proprietary APS-C X-Trans CMOS Sensor offering exceptional colour rendition and image resolution
The FUJIFILM X-E1 features the same 16.3 megapixel APS-C X-Trans CMOS Sensor as the FUJIFILM X-Pro1. Its unique colour filter array can effectively minimise moiré and false colours without the need for an optical low pass filter. This makes it possible for the camera to maximise its advanced resolution capture, and to record each photograph brightly and clearly across the whole image.
Conventional colour filters use a repeated arrangement of 2x2 pixel sets, which is prone to the manifestation of moiré and false colours. These are controlled with an optical low pass filter, inserted between the filter and the lens.  However, the low pass filter itself causes degradation in image resolution.  In contrast, the X-Trans CMOS sensor, inspired by the random arrangement of fine silver halide grains seen in photographic film, adopts a more complex, random arrangement of 6x6 pixel sets to reduce moiré and false colours. This innovative array of pixels eliminates the need for an optical low pass filter, and lets the X-Trans CMOS sensor capture unfiltered light from the lens avoiding any of the resolution reduction this causes, ensuring you get extra high resolution images that can withstand enlargement to a 2,700mm x 1,800mm size. 
This unique colour filter arrangement is also very effective at noise separation in high sensitivity photography producing low-noise images even at high ISOs. In addition, one advantage of the use of the large APS-C sensor is the ability to create a large beautiful bokeh background effect – the out of focus effect when shooting with a shallow depth of field.
The X-E1 features the fast, high-precision “EXR Processor Pro” for quick responses whatever you’re shooting. The EXR Processor Pro receives image signals from the complex X-Trans CMOS Sensor and processes the information swiftly ensuring you can move on to your next shot without delay.
Pair the X-E1 with the new FUJINON XF18-55mm F2.8-4 R LM OIS lens for high-speed autofocus of 0.1 sec
The highly agile linear motor in the newly announced XF18-55mm lens combines with the high-speed signal readout of the CMOS sensor and the newly developed EXR Processor Pro to achieve a huge leap in AF speed and precision performance. Contrast Detection in the X-E1 brings your subject into sharp focus in as little as 0.1seconds.
A masterpiece in optical technology, the high quality all-glass lens structure consists of 14 elements in 10 groups, including 3 aspherical lenses and 1 extra low dispersion element, and a seven-blade rounded diaphragm.  This zoom lens covers a broad range of frequently-used focal lengths from 18mm in wide angle to 55mm mid telephoto(6) to cater for a variety of scenes including landscape and snap shots.
At F2.8-4.0 wide open, this fast lens is perfect for low-light photography or scenes with a beautiful bokeh effect. The compact design of this lens, made possible by optimising its component layout, enhances its portability. Advanced optical and mechanical designs are optimised to keep the lens compact, measuring 65.0mm×70.4mm (wide), despite offering maximum aperture of F2.8. The lens features an aperture ring so that users can adjust the aperture in a natural movement while holding the camera up to the eye, just as on other XF lenses. The lens includes an OIS (Optical Image Stabiliser) to provide image stabilisation equivalent to 4 stops, controlling the effects of camera shake and allowing users to seize perfect photo opportunities.
Original X Mount designed for maximum performance
FUJIFILM’s X mount system has a short flange back distance of just 17.7mm to maximise the advantage of the camera’s mirrorless design, which eliminates the mirror box mechanism.
The wide opening allows the lens to be mounted approx. 7.5mm into the body from the mount surface. The back focus distance has been reduced as much as possible to achieve the compact and lightweight lens design for easy portability. The short back focus distance also prevents vignetting to maintain high resolution to all edges of an image.
The mount features ten contact pins to facilitate high-speed communication between the body and lenses. Auto focus, aperture and other lens movements are conveyed to the body at high speed.
When fitted with a FUJIFILM M Mount Adapter, the X-E1 can use a wide variety of M lenses to broaden the scope of your photography.
Diverse shooting modes that faithfully reproduce conventional photographic film’s distinctive textures
The X-E1 offers FUJIFILM’s creative “Film Simulation Modes” to simulate the distinctive textures of conventional photo film. Use the high saturation “Velvia” for landscape shots with stunning primary colours, “ASTIA” for faithful smooth skin tone reproduction and the more versatile “PROVIA” for its natural look, as well as two additional settings based on professional colour negative films. Soft tonal PRO Neg.Std and the sharper PRO Neg.Hi are both suitable for indoor portrait photography.  Three types of filter simulation are also available for monochrome and sepia looks. The Film Simulation Bracketing function uses a single exposure to produce three images with Film Simulation effects applied.
Advanced digital processing enables “multiple exposure”, in which two exposures are superimposed to create a single image. After selecting the Multiple Exposure mode, take the first shot, and display the image on either the EVF or LCD monitor as reference when taking the second shot.  This system facilitates more accurate positioning and focusing.  The ability to take two shots while visually checking the finished image allows users to produce unique photographic expressions.
Full HD Movie recording
Shoot Full HD movies (1920 x 1080) at 24fps. In addition you can now use Monochrome or Film Simulation modes when video recording, and even take advantage of the X-E1’s large sensor and bright XF lenses to capture movies with beautiful defocused bokeh effect.
Connect a microphone with a 2.5mm jack to the Microphone/remote release connector and record audio with enhanced clarity and presence.  The X-E1 allows users to take videos without having to worry about the camera body’s operation noise or lenses’ motor sound being captured.
(1)Including the battery and memory card, excluding the lens
(2)With the XF35mm F1.4 R attached
(3)ISO200・m
(4)FUJIFILM Research ; August 2012
(5)Depending on the shooting conditions
(6)Equivalent 35mm format:27mm to 84mm
FUJIFILM X-E1 key features list:
16.3 megapixel APS-C X-Trans CMOS Sensor
EXR Processor Pro
FUJIFILM X mount (For Fujinon XF lenses)
Extra high resolution 2.36 million dot OLED electronic viewfinder
2.8-inch (460K dot) LCD (High contrast, High Brightness and Wide viewing angle)
Built-in pop-up Flash (hotshoe attachment also available for external flash)
ISO 200 – 6400, extended ISO 100, 12800, 25600 (range of ISO400-6400 when using ISO Auto)
0.05 sec Shutter time lag
Q (quick) button to shooting menu settings
In-camera RAW converter
Film simulation modes (Velvia, Astia, Provia, Monochrome, Sepia, PRO Neg Std & PRO Neg Hi)
Artistic features inc. Multiple exposure & Panoramic shooting
Auto Bracketing functions (AE/ISO/DR &FS)
Full HD Movie
Microphone/shutter release input (2.5mm)
Approx. 350 shots per battery charge
Accessories available for the FUJIFILM X-E1
Leather case BLC-XE1
Fujinon XF Lenses
M Mount Adapter
Hand Grip HG-XE1
Three dedicated flash models to choose from depending on requirements
    (EF-X20, EF-20, EF-42)
Protector filters (PRF-39, PRF-52 and PRF-58)
Remote release RR-80

martedì 4 settembre 2012

PermaJet at Photokina 2012

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PermaJet will arrive at Photokina 2012 with their biggest range of products to date. New additions to their line-up include the Mercury Ultra White Matt 405gsm inkjet canvas, 5-metre-length inkjet trial rolls of the PermaJet Oyster 271gsm and Ultra Pearl 295gsm media, an all-new Image Block Print Display System, a range of fast drying canvas protective varnishes in 2.5-litre cans, an anti-curl roller device and more. PermaJet’se full product range will be available to view at Photokina 2012, Hall 06.1 Stand D-020.
Permajet Press Release
Photokina 2012
PermaJet will arrive at Photokina 2012 with their biggest range of products to date - launching a selection of fantastic new products on the World stage for the first time that will enhance every digital printer’s workflow….
New – Mercury Ultra White Matt Canvas 405gsm
The latest addition to the popular PermaJet canvas range has now arrived - Mercury Ultra White Matt 405gsm. A smooth, heavyweight product with a beautifully structured base which has been proven as being the most brilliant white in the marketplace to date. Carefully designed to facilitate the reproduction of fine art work where image sharpness detail is crucial and excellent colour brilliance and image depth is a necessity.
Its heavyweight feel and true, ultra white matt base makes it an ideal inkjet canvas for a variety of subject matters bringing your image to its maximum printed display potential, standing out and almost ‘jumping off’ the media. The perfect canvas for the professional photo studio lab, fine art printer or museum needing an inkjet media with a real difference – able to out-perform any other canvas on the market. Suitable for all types of printers, whether they be large format or desktop and using either aqueous pigment or dye based inks.
Why choose this? If you are looking for an ultra bright white based media with true canvas structure to create fine art reproductions, paintings or murals in a digital format, this fine textured matt canvas is perfect for your application. The non-cracking base will enable the canvas to flex perfectly around stretcher bars, creating a modern or contemporary boxed frame with a twist.
Always protect your canvases with the PermaPROtect range of varnishes to enhance your artwork but more importantly, protect them from UV light, airborne pollutants and yellowing.
New – PermaPROtect - Fast Drying Canvas Varnishes in 2.5 Litre Cans
PermaJet is excited to introduce a range of high performance, professional, fast drying canvas protective varnishes - available in Gloss, Satin and Matt finishes using a unique water-based polymer formulation. The varnishes have been specifically designed for canvases, particularly PermaJet, guaranteeing a clear, water-resistant and non-yellowing protective coating.
All canvas users are strongly recommended to protect their final digital canvas prints with a varnish or coating – absolutely essential for preserving the image from dirt, UV ink fading, airborne pollutants and abrasion as well as those annoying fingerprint marks!
PermaPROtect varnishes are supplied in a ready-to-use form, so no dilution is required and can be applied with our custom foam roller kit (sold separately) to ensure that you get the very best results. The formulation improves the lightfastness of all your digital canvas prints but, in addition, adds saturation, improved colour gamut and increases the density of the blacks.
PermaJet has taken steps to ensure that the range of PermaPROtect varnishes meets the required protection standards by having them independently tested and approved by a notable test laboratory in the UK – confirming that there is no discolouration or change over 85 years when exposed to UV light conditions. Certifications of these can be viewed by visiting our website.
The varnishes have additionally been designed to prevent canvas edge cracking when folded and to protect against any other environmental pollutants. Out of the can, the varnish is milky white in colour but will dry to a crystal clear finish after roller application in less than just 20 minutes. Also suitable for use with fine art inkjet paper surfaces giving them a greater degree of water and fade resistance (always do a test first).
The 2.5 litre normally treats at least 40 square metres of canvas based on a one coat application.
New - Image-Block Print Display System
Try something new this year with Image-Blocks.
Print, Stick & Ready to Hang Block System… this really is the easy way to produce & present professional modern, contemporary and stylish inkjet images using the high quality PermaJet range of inkjet papers – resulting in a 3D display format.
This modern & minimalist look is easy to create in seconds, either by hand or with the optional manual laminator, ideal for the home, office, studio or exhibition use. Image-Blocks are available with black edging and in the following sizes: 6” x 4”, 5” x 5”, 7” x 5” 10” x 8”, 12” x 12”, A4 & A3 and can be mounted as portrait or landscape style.
To use this system, simply peel back the self adhesive backing, carefully position your printed image on the self adhesive area & press down firmly using a soft cloth. Now, turn the Image-Block over with the printed image face down on a clean cutting mat. Using a scalpel, trim flush along the edges of the Image-Block to remove the excess paper. Your Image-Block is ready to hang on the pre-fitted hanging hook and be admired by all.
New - 5 Metre Length Inkjet Trial Rolls
Consumers using other paper brands can now trial the ever popular PermaJet Oyster 271gsm (Satin/Semi-Gloss) & Ultra Pearl 295gsm surfaces in 17” (432mm)  x 5m length roll format without investing in a full roll purchase. Wide format users requiring a true, bright white, photographic inkjet media now have the opportunity to try both these glorious surfaces – PermaJet’s FREE ICC profiling service is also included as standard for perfectly accurate printing. As an extra incentive, PermaJet will include a £10 cash back voucher with each trial roll that can be redeemed against your FIRST full roll purchase.
Give it a trial…you will be pleasantly surprised!
New - 36” Rolls added to the PermaJet range
Rising demand for 36” (916mm) x 30m roll lengths has encouraged us to manufacture this size in the most popular Oyster 271gsm & Ultra Pearl 295gsm surfaces.
This now caters for wide format users with the opportunity to print perfect A1/A0 size with minimal paper wastage.
New - Epson R3000 Eco-Flo System
The waiting is now over…
Here it is…the all new PermaJet Eco-Flo CIS Ink System for the Epson R3000, developed and fully tested over many months and it’s a winner yet again! Start saving upto 80% off all your ink costs on this printer.
The PermaJet R3000 Eco-Flo ink bottle system is unlike other cheaply manufactured far eastern systems on the market today that require injection needles to fill the cartridges on a very frequent basis as well as awkward ink level resetting procedures. Our tests concluded that these cheaper systems create annoying air pockets introduced when refilling means that the PermaJet Eco-Flo bottle system offers an appealing consistency and reliability.
The PermaJet Eco-Flo has been specially designed with moulded cartridges that simply slot into your printer in the usual way and stay in situ permanently. Refilling is then carried out simply by topping up the external reservoir bottles therefore avoiding unnecessary wear and tear on the cartridges & microchips.
The resetting of the ink levels is simplicity itself and resets all inks back to full simultaneously.
Once filled and set, you are ready to print and start saving money on your ink costs with consistent print quality time after time!
The kit includes the very latest inks - PermaJet have been improving existing ink technology and the result is the specially formulated Image-Life® pigment inks which have been successfully tested for archival stability on various Epson printers.
Image-Life® inks are manufactured with professional quality and performance in mind - ultra fine pigments designed specifically for inkjet applications with a new fast-acting, instant dry formula. They deliver the very best colour vibrance, highest print quality, extended image stability and are guaranteed to be a close match to the printer’s original OEM inks.
New – Image-Life Certification Process
Guarantee and certify the quality of your prints.
Image-Life Certification is a unique combination of independent colour auditing and managing archival performance for the images that you produce. In short, it makes your images worth more, not only to you but also in the added value to all of your customers.
1) Print a standardised profiling target patch and have us make you a custom profile.
2) We can then provide you with an official certificate of the stability of your archival media and ink and proof that your print conforms to the industry standards as laid down by the Fine Art Trade Guild from an independent UKAS Certified Laboratory.
3) Independently check and maintain the performance of your printer and paper combination, providing a detailed colour audit online.
Why?
If your customers can have proof of the archival quality of their prints provided by you, not only is their work worth more, they will have the confidence to allocate all their future business directly to you.
We take away the pain and confusion linked to print management, saving you not only money but your valuable time.
New - PermaAIR 400ml
A fantastic new product to assist photographers, studio labs and consumers who print using inkjet printers. The PermaAir Aerosol has been designed primarily to help maintain and keep printers dust-free thus allowing the paper feed trays and rollers to pick up media more effectively and stay problem free.
Fine art printers in particular will find this product extremely useful in removing loose fibres by air blowing directly over the surface of the material prior to use as there is a tendency for this kind of paper to leave fibres within the printer or on the rollers – with PermaAir, the problem goes away!
This highly effective air duster will improve your workflow as well as extending the working life of your printer when used as part of your regular printer maintenance.
Suitable for all desktop and wide format printers as well as cleaning all other general day-to-day surfaces/devices.
New – Anti Curl Roller Device
The Anti-Curl Roller has been specially designed to take the typical curl out of prints and posters printed on roll media in minutes!
This first-of-its-kind accessory provides an ingenious solution to the common curling problems associated with true fine art inkjet roll materials, annoyingly costing wasted time and money to your business.
By simply using the anti-curl roller device, you can take the curl out of inkjet prints and fine art papers in minutes without causing any surface damage or creases to the printed image.
The general principle in the way it works is one of reverse rolling. Simply lay out the white carrier film which has virtually no curl memory and lays almost perfectly flat time-after-time (even after having been wound tightly around the chrome-plated central roller tube). It attaches to the tube with a special, ‘no seam’ ridge that might otherwise cause a crease mark on a print. Place your curled paper on top and gently roll across a worktop or desk until fully wound around the roller tube. Once unwound again, the paper is super flat, free of any damage!
As a unique feature, the white carrier film also incorporates a grey edge strip down both sides creating a space to allow the rolled paper to naturally ‘slip’ as it relaxes and un-curls.
This is beautifully designed and well-built. It will give your prints from roll paper the flat, finished look and professional edge that they really deserve. A product which will quickly pay for itself!
The roller is available in three sizes and can accommodate prints upto 70 inches long by their stated width:
The 24” (610mm) has a 38mm core
The 50” (1270mm) S has a 38mm core (major curl)
The 50” (1270mm) L has a 50mm core (minor curl)
The full product range will be available to view at Photokina 2012  
Hall 06.1 Stand D-020

Kata Launches New D-Light Range

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Kata has launched a new line-up of rucksacks for the on-the-go amateur photographer. The new D-Light range offers a series of super-compact yet high-capacity camera bags. The range’s design makes it easy to access gear when the bag is slung on one shoulder, and all bags in the range can be easily converted to a daypack when the user isn’t shooting. Kata’s D-Light series currently comprises the 465-DL (pictured), the 466-DL and the 467-DL “digital rucksacks.”
Kata Press Release
KATA launches the new D-Light range for amateur photographers
London, September 2012 - KATA, world renowned designer and manufacturer of high quality camera bags and protective photo gear, has launched an exciting new range of rucksacks for the on-the-go amateur photographer. The versatile design of KATA’s new rucksack allows it to also be used as an everyday bag.
The new D-Light range from KATA offers a series of super compact yet high capacity camera bags. They are highly portable carrying options for photographers who are just starting out, with a light but protective build. The range’s design makes it easy to access gear when the bag is slung on one shoulder, and all bags in the range can be easily converted to a great daypack when the user isn’t shooting.
Digital Rucksack 467-DL
 DSLR with mounted lens
 3-4 additional lenses
 Flash
 Personal gear
 Most laptops up to 17”
Digital Rucksack 466-DL
 DSLR with mounted lens
 3-4 additional lenses
 Flash
 Personal gear
 Most laptops up to 15.4”
Digital Rucksack 465-DL
 DSLR with mounted lens
 2-3 lenses
 Flash
 Personal gear
For more information, please visit http://www.kata-bags.co.uk.

Hoya Launches New UV & IR Cut Filter

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The new UV and IR Cut Filter from Hoya is a lens filter that, when attached to your lens, permits only the visible spectrum of light rays to enter the camera. “This is important to digital photographers as the CCD and CMOS sensors found in our cameras are extremely susceptible to catching UV and IR rays just outside the visible spectrum that have a very negative impact on image quality,” the company claims. Available in sizes from 49mm through to 82mm, the new filter can also reduce the effects of atmospheric haze to a greater degree than a standard UV filter. Suggested retail prices start from £84.99 for the 49mm size.
Hoya Press Release
New UV & IR Cut filter
HOYA introduces the new Hoya UV & IR Cut filter in sizes from 49mm through to 82mm.
and get captured by the sensor. It blocks out both the higher frequency ultraviolet rays and lower frequency infrared light rays. This is important to digital photographers as the CCD and CMOS sensors found in our cameras are extremely susceptible to catching UV and IR rays just outside the visible spectrum that have a very negative impact on image quality.
The filter offers even greater versatility than is already found in a combination UV-IR filter due to its front and rear threads. They permit stackable standard-size filters to be attached, giving you even more filter effect options, while also accommodating a standard lens cap as well.
Another benefit to using the UV-IR filter is that it can also reduce the effects of atmospheric haze to a greater degree than would be found with a standard UV filter. This means that sharper images with more depth and finer, richer colour gradations are possible when utilizing the filter’s effects in your photography. This combination filter is a convenient option for those who seek a clearer and sharper image when captured outdoors, while getting the benefits of two filters in one.
The filter is available immediately.
Suggested retail prices start from £84.99 for the 49mm size.

AppCam OS-II

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German software developer Jürgen Habenstein has unveiled his AppCam OS-II, a new graphical user interface for DSLR cameras. Aimed at making cameras more intuitive and easy to use without the need to delve into complicated and long-winded menu systems, the AppCam OS-II doesn’t require camera manufacturers to add any extra buttons or setting wheels to established control layouts, and works without a touchscreen. Whether the major camera companies are ready to adopt the new OS remains to be seen but we believe Jürgen definitely deserves kudos for his creative efforts. For more information on the AppCam OS-II, visit the website below.
Website: AppCam OS-II

CarrySpeed Debuts MagFilter Circular Polariser


 http://cdn.shopify.com/s/files/1/0136/9782/products/MagFilter-template.jpg?1016
The new MagFilter circular polariser from CarrySpeed presents a simple, clean, and effective solution to mounting filters on high-end compact cameras. A very thin metal ring is first adhered to the front of the camera lens and still allows the lens to expand and retract back into the camera body. The Carry Speed MagFilters quickly connect to the metal ring with strong magnets embedded in the MagFilter body. A grooved bevel design prevents slippage and ensures a secure bond to lock the MagFilter in place. There are two filters to choose from; a 36mm Polariser MagFilter ($24.99), designed for small compact cameras like the Canon Powershot S95/S100, and a 42mm Polariser MagFilter ($26.99) that fits on cameras like the Sony HX9V, Sony HX20V, Sony HX30V, and Sony RX100. For more information, visit the website below.
Website: CarrySpeed



Rarísima Leica M4 con partes internas expuestas


Se subasta en eBay y de acuerdo a la información del vendedor es plenamente funcional, una pieza de museo preparada por la propia firma germana para seguro exhibir el minucios mecanismo que hay al interior de sus preciadas telemétricas. La puja ha iniciado en $4500.






vía Pixel Analogo]

Five Beginner DSLR Focusing Tips for Shooting Tack-Sharp Photos




If you recently upgraded from a compact camera to a DSLR, one of the first things you probably noticed was that focusing is done completely differently. Instead of simply pointing your camera at a subject and letting the camera figure out what to do, you now need to think about autofocus points, which often don’t seem as “intelligent” as the focus systems in point-and-shoot cameras. The truth is, autofocus points are extremely powerful and give you a great deal more freedom — you just need to know how to use them. To get you started, here’s a great primer video by photographer Phil Steele. Over the course of 9 minutes, Steele steps through five fundamental tips for achieving fine focus and tack-sharp photos: ditching full auto, focus and recomposing, looking for edge contrasts, using manual pre-focusing, and making use of live view to aid in manual focusing. (via DPS)

Pentax 645D Gets $1200 Price Drop

Pentax 645D
The 40MP medium format Pentax 645D recently got a price drop from $9,995 to $8,795, which puts it even closer to the high-end 35mm DSLR range (see, e.g., Canon 1D X at $6,800 and Nikon D4 at $6,000).
Some retailers have already updated their list pricing to reflect the price drop (Adorama), while others have not (B&H Photo).  Expect the pricing to go into effect at all Pentax retailers soon.

Panasonic GH3 Rumors and Specs

Panasonic GH3 Rumors
The Panasonic GH3 is expected to arrive prior to Photokina 2012 as an update to the Panasonic GH2, one of the most popular mirrorless cameras to date.
The new model is expected to feature a new 16MP “Wide Dynamic Range” sensor and offer video capture at an impressive 72Mbit/s bit rate.  Check out the full rundown on the specs below.

Panasonic GH3 Rumored Specs

  • 16MP “Wide Dynamic Range” sensor
  • ISO range: 100-12,800
  • The GH3 will have the fastest AF to date
  • Focus peaking
  • Weather sealed
  • Improved EVF
  • Built-in Wi-Fi
  • New external vertical battery grip and full application remote control
  • Bitrate: 72mbit/s
  • Bigger, heavier and more expensive than the GH2
  • Announcement expected for 2012 Photokina
[via Photo Rumors]

Nikon D800 Sensor Confirmed as “Made by Sony”

Nikon D800
It’s been no secret that Sony is a major supplier of sensors in past Nikon DSLRs.  With the past few generations of DSLRs, however, Nikon has been rather coy about the sourcing of the actual sensors within the cameras.  When asked, Nikon reps usually respond by saying the sensor is “designed by Nikon” and refuse to provide further details on who actually makes the sensor.
It has been long-speculated that the 36MP full frame sensor inside the Nikon D800 is, in fact, manufactured by Sony.  To put the speculation to rest, Chipworks showed off a close-up view of the sensor from a disassembled Nikon D800 that bears Sony product number IMX094AQP, confirming that the heart of the D800 is delivered by Sony.
[Chipworks via SonyAlphaRumors]

Sony A99 AF System Diagram


Sony-a99-AF-system-explained
Check out this image nabbed by Photo Rumors that breaks down the AF-point distribution on the upcoming Sony A99.
The new SLT Alpha A99 will feature 39 ordinary phase-detection AF points (11 are cross-type points) and 63 AF points directly on the A99′s full frame sensor. That’s a total of 102 phase-detection AF points on the Sony A99.

domenica 2 settembre 2012

Photoshop CS6 13.0.1 Update Now Available

Photoshop CS6 Update
Adobe has updated Photoshop CS6 to version 13.0.1, which provides a number of updates, including 76 core issues.
Specific fixes include the following:
  • 3D: Reflection does not render when ray Traced
  • 3D: Ray Trace does not stop rendering
  • 3D: OpenGL widget stops working in Full Screen Windows
  • Paths and Shapes: No way to select a Shape layer without path getting activated
  • Paths and Shapes: Shapes do not constrain properly with non-square pixels
  • Paths and Shapes: Unable to type on paths or shape layer
  • Paths and Shapes: Vector Layers Copy/Paste attributes not actionable
  • Paths and Shapes: No vector preview when transforming shape layers.
  • Windows task bar location & image window problem
  • Paint is offset with Grip Pen
  • Actions: An action that copies, closes, and pastes to another open image gives error that it cannot paste Documents open as floating
  • Actions: CS4/5 Actions that include “Use legacy” option are not using legacy in CS6
  • Liquify: Mac 10.8: Corruption when using large images on a background layer
  • Type: Extensis: Update All Text Layer becomes available after replace missing fonts
  • Layer Comps: “Could not complete your request because the result would be too big” displayed with this CS5 sample file
  • Group Styles: Some blending options not saved with file
  • Video playback should use draft quality for faster playback
  • After crop, Adjustment layers with dropdown menus become grayed out in properties panel
  • Channels Panel: Thumbnails don’t update after moving layer
  • Performance: Moving layers is slow compared to CS5 if layer palette is visible and thumbnails are showing
You can get the update via Adobe Application Manager, accessible via the Help menu in Photoshop CS6 – choose Help > Updates.
[via Photoshop Blog]

Pentax DA 560mm f/5.6 Lens Coming at Photokina


Photo Rumors has word that Pentax will officially announced the production version of its new DA 560mm f/5.6 super telephoto lens at Photokina 2012.  Pentax had previously shown off a prototype version of this lens, but the new lens is expected to be unveiled later this month with an availability in early 2013.

New “Delta Pro” Tripods from Hama

News image
The new “Delta Pro” series from Hama comprises a photo tripod, a video tripod and two universal tripods. The two universal tripods “Delta Pro 180 3D” and “Delta Pro 160 3D” are each equipped with a three-way pan-tilt head, with the numbers 160 and 180 referring to the maximum height of the tripods in centimetres. The “Delta Pro 180 2D” video tripod comes with a smooth two-way pan-tilt head, while the “Delta Pro 180 Ball” photo tripod is equipped with a ball-head. The company hasn’t provided details on the tripods’ maximum load capacity and pricing. The new tripods will be on display at Photokina 2012, Hall 4.2, stand D 020 / E 029.
Website: Hama
Hama Press Release
The “True” Series of Tripods
New “Delta Pro” Tripods from Hama
Every good set of photography/video equipment includes a good tripod that can be adjusted quickly and easily, and ideally one that won’t produce choppy film when you pan across the scene. The new “Delta Pro” series from Hama now has several specially designed tripods on the market: one for photo cameras, one for video cameras and two universal tripods. The extremely light, sturdy aluminium construction makes the four tripods from the new series the perfect additions to your equipment. A weight hook is attached to the extendable central column to give the three tripod legs – which can be extended in three places and spread out at a variety of angles – even better stability on uneven surfaces or in high winds. For all four versions, the central column can be rotated to accommodate a reverse-mounted lens to easily allow for macro shots close to the ground.
With the “Delta Pro 180 2D”, serious videographers are truly in their element. With the extremely smooth two-way pan-tilt head, it is even easier to pan or tilt with the camera without creating unwanted choppiness in the film. The two universal tripods “Delta Pro 180 3D” and “Delta Pro 160 3D” are equipped with a three-way pan-tilt head, and the “Delta Pro 180 Ball” tripod is equipped with a 3D ball head. The 180 and 160 in the item descriptions refer to their maximum heights of 180 and 160 centimetres.

venerdì 31 agosto 2012

31/08/2012 The iconic Hasselblad H4D-40 Ferrari Limited Edition camera has been nominated for the German Design Award ahead of the IFA (Internationale Funkausstellung) trade show for consumer electronics and home appliances (Aug 31-Sep 5).

 2012-08-31_PR_German-Design-Award.jpg

Now the 21,499 Euro masterpiece will be exhibited at the Berlin show - the biggest of its kind in the world and visited by almost a quarter of a million people last year.

Hasselblad will sell just 499 units of its H4D-40 Ferrari Limited Edition which comes painted in Ferrari's own 'rosso fuoco' and sports the legendary Ferrari Racing Shield emblem. The camera itself boasts all the Hasselblad H4D-40 model features, including the company's world-acclaimed True Focus technology. It ships with an 80mm lens and its own, bespoke glass display box.

The German Design Award is the international premium prize of the Rat für Formgebung (German Design Council).

Uwe Moebus, Managing Director Hasselblad Germany said: "We are delighted to have been nominated in the 'Lifestyle' category of this prestigious design awards programme, which is celebrated and revered the world over for its commitment to product design excellence.

Just to be nominated is an honour in itself because you can't just submit entries to these awards. The German Design Council selects the product shortlist and its members are committed to the unassailable principle that design is a crucial component for business and cultural success."

"We teamed with a legendary supercar brand to engineer a supreme camera that not only looks stunning but provides the ultimate in quality and performance just as customers would expect from both Hasselblad and Ferrari."

The German Design Council runs a total of ten categories in its programme including Lifestyle which encompasses leisure, entertainment and communications technology. Other categories include: industrial goods and materials; architecture and interior design; audio-visual and digital media, print media, and transportation and public space.



Press Contact

Mavyreen Andres
Communication & Public Relations Department
Hasselblad
385 Centennial Avenue, Centennial Park
Elstree, Herts WD6 3TJ
United Kingdom

Phone: +44 (0) 20 8731 3253
E-Mail: press@hasselblad.com
Web:   www.hasselblad.com