New Olympus TG-1 iHS Tough camera leaks on BestBuy website

For a short period of time, BestBuy had a listing for a new rugged Olympus TG-1 iHS Tough camera on their website. The entry is now removed, but you can still see the cached version of the page.

The camera has 12MP 1/2.3" CMOS sensor, 3" OLED display, 4x optical zoom with f/2 on the wide end. Full features and specs of the new TG-1 waterproof camera after the jump:

Features:

• USB 2.0 port
• Allows an easy connection to your computer.
• Memory card slot
• Supports Secure Digital, Secure Digital High Capacity and SDXC formats for storing or transferring media.
• Store more photos! Find compatible memory cards in our Memory Center!
• 12.0-megapixel 1/2.3" CMOS image sensor
• Captures high-resolution images up to 3968 x 2976 pixels.
• 4x optical/4x digital/16x total zoom
• For precise zooming and accuracy.
• 3" OLED display
• With 610K dots for clear viewing and easy navigation.
• HD movie mode
• Allows you to capture video clips in 1080p, 720p or VGA resolution.
• TruePic VI image processor
• Helps ensure clear, detailed images.
• Dual image stabilizer
• Reduces image blur caused by camera shake and vibration. ISO up to 6400 for improved image capture in low-light conditions.
• Scene modes
• Include portrait, landscape, night scene, night + portrait, indoor, self-portrait, sunset, fireworks, cuisine, beach & snow and more. Magic art filters allow you to get creative with your pictures.
• Burst shooting mode
• Captures up to 3 fps or up to 200 pictures for fast-action shots. Panorama mode allows you to record stunning vista shots.
• White balance modes
• Include auto, overcast, sunlight, tungsten and underwater to keep colors looking natural.
• Built-in auto flash
• With red-eye reduction for natural-looking eyes in portraits.
• Autofocus
• With super macro mode focuses as close as 0.4" for clear photos up close.
• Water-, freeze-, crush-, shock- and dust-resistant design

Specs:

• Product Height 2.5"
• Product Width 3.9"
• Product Weight 7.8 oz.
• Product Depth 1"
• Megapixels (Effective) 12.0
• Image Resolution Up to 3968 x 2976
• Optical Zoom 4x
• Digital Zoom 4x
• Lens Features 9 lenses in 7 groups
• Lens Focal Length(s) 4.5-18mm (35mm equivalent 25-100mm)
• LCD Screen Size 3"
• LCD Screen Features OLED with 610K dots
• Viewfinder LCD only
• Image Stabilization Yes, duo
• Face Detection Yes
• Burst Mode Yes
• Panorama Mode Yes
• Image Stitching Yes
• Internal Memory 7.9MB
• Compatible Memory Formats Secure Digital (SD)|Secure Digital High Capacity (SDHC)|Secure Digital Expanded Capacity (SDXC)
• Shutter Speeds 1/4 - 1/2000 sec.; Night Scene: 4 sec.
• Aperture Range f/2 - f/4.9
• White Balance Auto, overcast, sunlight, tunsten, underwater
• Flash Range 7.9" - 11.5' at ISO 800 (wide); 1.6' - 8.2' at ISO 800 (telephoto)
• Flash Modes Auto, red-eye reduction, fill in, off
• Focus Range Normal: 2' - infinity; Macro: 3.9" - infinity; super Macro: 0.4" - 2'
• Movie Mode Yes
• ISO Equivalent Auto, high auto, 100, 200, 400, 800, 1600, 3200, 6400
• Self-Timer 12 sec., 2 sec. or auto
• Interface USB
• Camera Dock Not included
• File Formats JPEG, MOV/H.264
• Exposure Control Exposure compensation (±2 EV in 1/3 steps)
• Image Storage Capacity Varies
• Batteries 1 rechargeable lithium-ion Li90B (included)
• AC Adapter Yes
• Imaging Sensor Type CMOS
• Imaging Sensor Size 1/2.3"
• Touchscreen No
• HD Movie Mode Yes
• Smile Mode No
• Waterproof Yes
• Coldproof Yes
• Shockproof Yes
• Low-Light/High Sensitivity Yes
• UPC 050332182189

Canon promisses new cameras with image quality that approaches DSLRs

Canon reported slightly higher profits for Q1 of 2012. On the earnings conference call the CFO of the company Toshizo Tanaka promised new cameras that will be approaching the image quality of current DSLR models:

"To achieve this, we will further differentiate and enhance our lineup by launching new cameras offering the image qualities that approaches SLR cameras; furthering the improvement in design and qualities, and by incorporating features such as network, connectivity capabilities."

Via Engadget | Canon mirrorless camera concept image via David Riesenberg

Inspirational Time-Lapse of Yosemite and the Sierra

Inspirational Time-Lapse of Yosemite and the Sierra DL Cade · Apr 28, 2012 Here’s a little bit of weekend inspiration for you. When photographer Shawn Reeder was 18-years-old, he won a trip to Yosemite and fell in love with the national park and what he describes as its “changing beauty.” This time-lapse, which took almost two years of shooting to make, is a manifestation of Reeder’s love of the area and his desire to share it with others. Nothing brings me more joy than to share this life changing beauty with others. Ever since I became fascinated with timelapse photography almost two years ago, after seeing the work of Tom Lowe, I’ve wanted to do a piece on Yosemite and the Sierra. Now after almost two years of shooting, I’m thrilled to share. I hope you enjoy my vision of my home, the majestic Yosemite and Sierra. Full-screen and high definition are highly-recommended. (via The Atlantic)

La fotocamera Ikea

Quando si entra all’Ikea è difficile che si esca senza comprare qualcosa. Tra mobili, accessori e soluzioni davvero intelligenti, si trova sempre qualcosa di utile per la propria casa, per il proprio ufficio o per le proprie passioni. I fotografi finora potevano trovare materiale interessante tra cornici ed illuminazione, ma a quanto pare a breve potranno comprare anche una vera fotocamera marchiata Ikea, come potete vedere dall’immagine in apertura.
Per ora è stata regalata ai giornalisti ad un evento, ma sembra che a breve potremo acquistarla nei tanti punti vendita disponibili in tutto il mondo. Si tratta quasi di una toy camera, con focale a fuoco fisso, mirino realizzato con una semplice apertura rettangolare nel corpo di cartone, memoria interna capace di memorizzare circa 40 immagini, presa USB incorporata.
L’alimentazione è garantita da due pile mini stilo rigorosamente Ikea ben visibili sul frontale, dove troviamo anche il pulsante di scatto ed un pulsante per cancellare le immagini, quest’ultimo da premere tramite un oggetto appuntito. Non sono riuscito a trovare degli scatti effettuati con questa fotocamera Ikea, ma spero di riuscire presto a procurarmela, dato che sicuramente sarà venduta a basso prezzo e rigorosamente in scatola di montaggio.

Sony A99, SLT in pieno formato

La A99 andrà a competere con Canon 5D III e Nikon D800 (forse anche D600) anche se è una fotocamera molto diversa, infatti la pieno formato di Sony non è una reflex ma bensì una SLT. La macchina sarà molto simile alla A77 ma leggermente più grande e il prezzo dovrebbe essere inferiore ai 3000 US $.

• Sensore FF (24×36mm) da 24mpx
• EVF (Mirino elettronico) migliore rispetto alla A77
• Autofocus con 101 sensori a croce
• Monitor LCD orientabile come A77
• Sensibilità massima 6400 ISO

Non conosciamo altri dettagli su questa fotocamera se non che la presentazione è prevista verso la fine di Agosto. Con questa prima SLT FF, Sony sembra volersi definitivamente sbarazzare del pentaprisma su tutta la gamma di fotocamere che produce, comprese le più professionali; a meno di clamorosi cambi di direzione, pare proprio che gli Alphisti amanti del vetro ottico dovranno rivolgersi ad altri marchi o convertirsi all’EVF!
Via | Sony Alpha Rumors

Nikon brevetta un 17mm f/4 PC-E un 10mm f/4 e 3 grandangoli stabilizzati f/1.4!

Nikon sta facendo molto parlare di se in questo 2012, dopo l’uscita di D4, D800, D3200 e obiettivi come l’85mm e il 28mm f/1.8 sembra che verrà presentata una quarta reflex, la D600 insieme ad una lente per ora ignota con apertura f/4. Come se tutte queste novità e rumors non bastassero a soddisfare la voglia di novità dei Nikonisti arrivano direttamente dall’ufficio brevetti giapponese i progetti di ben 7 nuovi obiettivi grandangolari, uno più interessante dell’altro! Nikon da sempre si contraddistingue per i suoi eccellenti grandangoli, il più celebre tra i recenti è sicuramente l’AF-S 14-24mm f/2.8 G ma la storia ha visto lenti da record come il 13 mm f/5.6 presentato nel lontano 1975 che ad oggi è l’obiettivo fisso non fish eye con il più ampio angolo di campo marchiato Nikkor, un altro “mostro sacro” è ad esempio il 15mm f/3.5 Ai/Ai-S famoso per avere una distorsione veramente limitatissima; oggi Nikon brevetta nuovi schemi ottici che se mai vedranno la luce entreranno nel cassetto dei desideri di molti Nikonisti (e non solo).
Il primo degli obiettivi brevettati è un 17mm f/4 PC-E, lente chiaramente pensata per la fotografia architettonica e per rispondere al 17mm TS-E Canon che attualmente è il decentrabile-basculante (shift-tilt) con il maggior angolo di campo in commercio. Questo genere di obiettivo è molto particolare, non proprio intuitivo da usare e i prezzi sfondano facilmente la soglia dei 2000€ ma, per determinati lavori sono ottiche insostituibili e pare assolutamente plausibile che Nikon voglia rimettersi al pari con la concorrenza, secondo il sottoscritto è una lente che vedremo nei negozi.
Con uno schema ottico molto simile a quello del 17mm PC-E, Nikon ha brevettato un incredibile 10mm f/4! L’angolo di campo inquadrato di quasi 130° sul pieno formato di questo grandangolo rettilineare è un vero e proprio record. Quando e se, il 10mm f/4 verrà presentato al pubblico entrerà facilmente e di diritto, nella storia della fotografia reflex, ma probabilmente non sarà altrettanto semplice farlo entrare nel proprio corredo perché non avrà un prezzo particolarmente abbordabile! Pur non sapendo se lo vedremo mai in una vetrina, siamo certi che chiunque farebbe carte false anche solo per provare il grandangolo più spinto di sempre!
Nikon ha presentato anche i disegni di brevetto per 3 obiettivi grandangolari ultraluminosi con apertura massima f/1.4 e focali rispettivamente di 24, 28 e 30mm. Tutti e tre integrano uno gruppo ottico per la stabilizzazione delle immagini, sono i primi fissi di Nikon sotto i 105mm di focale dotati di sistema VR ma anche i più luminosi obiettivi stabilizzati per fotocamere 35mm di sempre, insomma altri Nikkor da record che potrebbero far felici molti fotografi e amanti della fotografia.
La sesta lente presentata in forma cartacea è un grandangolo zoom economico per il pieno formato, si tratta di un 16-30mm f/3.5-5.6 privo di stabilizzatore che potrebbe divenire un buon compagno per la “rumoreggiata” D600, la full frame “economica”; l’ultimo obiettivo descritto nei progetti depositati da Nikon è un 16-35mm f/2.8 dotato di stabilizzazione ottica VR e dedicato chiaramente ai fotografi e fotoamatori più esigenti.
Se non siete amanti dei grandangoli potete consolarvi con il Nikkor AF-S 600mm f/2.8 VR da 6 milioni di JPY (56.000 €) descritto in questo articolo! Ma fate attenzione a non prendere la notizia troppo sul serio perché contrariamente a quelle sui grandangoli questa è un pesce d’aprile!
Brevetti Nikon

Via | Egami

Mini Review: onOne Software Focal Point 2

onOne Software FocalPoint 2

onOne Software’s FocalPoint is an application that you can run directly from Aperture or Lightroom without owning Photoshop to add lens blur and vignetting to your image. It’s very powerful because it can emulate a lot of great lens blur effects (from expensive lenses) and you can control the effect.
I last reviewed onOne Software’s FocalPoint 1.0 product in early 2009 when I compared it to AlienSkin Software’s Bokeh. Since that time Bokeh hasn’t evolved that much, but Focal Point has improved quite a bit. Both products are good, but I find the user interface of Focal Point to be far superior.
The main reason I prefer FocalPoint now is because I have a lot more control of what I do and the powerful focal bug makes it much easier to get the look I want quickly. However, as good as the bug is there’s still the problem with part of my image getting blur that I don’t want so that’s where the handy FocusBrush comes in where I can easily remove the parts where I don’t want blur and add it where I do. It’s simple masking which can easily be done in Photoshop, but for Lightroom users this support being built in the product means you are limited. For Photoshop users it’s also means that you don’t have to visit Photoshop to just do a blur effect.

Use Focal Point to control your viewers eye

In the sample photo below I’ve used FocalPoint to blur out the distracting mud on the ground and draw the viewers attention more to the yellow tulip in the center. I’ve also done a little Photoshop work to remove some other distractions and applied Nik Software’s Tonal Contrast filter (in Color Efex Pro 4).

After post processing (hover (or tap on iOS) to see the before)

If you hover your mouse over the photo above (or look at the photo below) you can see the difference it makes in blurring the edges and adding a vignette. No longer are your eyes flying off the frame, but instead they keep getting bounced back into the center of the photo to the tulip where you want their attention to be.

Before post processing (hover (or tap on iOS) to see the after)

For those viewing on mobile devices, I’ve included the before version, but if you are using a mouse you can hover over either photo to toggle between before and after. You can also tap on the photo to toggle on iOS (but you must tap a different photo to toggle back).
This is just one example, but you can imagine anywhere you have unwanted background you could use FocalPoint to make it become less visible in a natural kind of way. You can also use FocalPoint to create the toy city effect like this:

Overall it’s a fun product that is a nice stand alone product or addition to have when getting the other great Perfect Photo Suite 6.1.

Special Offer

Save 10% on ALL onOne Software products when you use my onOne Software Coupon Code RMART20 (if not working, check my discount coupon code page for the current code).

Via: http://www.ronmartblog.com

BG-E11 Delayed?

… and again
We may finally have some proof the BG-E11 battery grip for the 5D Mark III has been delayed. I was told a few weeks ago from someone at Canon that all was well and they were on schedule. However, it appears we won’t be seeing them until late May, 2012.

More Full Frame Cameras on the 2012 Horizon?

More big sensor cameras
We reported a while ago that Canon would introduce a new “entry level”  full frame camera some time in 2012. With the recent Nikon D600 rumors, there has been a lot of chatter in the Canon world if they’d do the same thing. For the moment, the 5D Mark II is Canon’s entry level full frame camera.
No specs were given to me, but again I was told Canon is working on such a camera to be available before Christmas 2012 (or 2013 if recent history tells us anything).
… and the other?
I’ve received 2 other reports that Canon will possibly announce another full frame DSLR beyond the “entry level” in 2012, with availability moving into 2013. One would assume it would be a larger megapixel offering.
I have heard as many as 5 different sensors are in the wild and being tested,  and in various camera form factors.
CRs Take
It’s highly likely that both cameras will become real products. I do get the feeling Canon hasn’t committed to their immediate roadmap yet and there’s a lot of “wait and see what the market wants” going on. People would like to see the Cinema EOS brand trickle down into a more affordable product than the EOS-1D C, but I don’t see that happening until the 1D C actually starts to ship. I’ll leave the delay jokes up to you guys.

Nikon D600, full frame per tutte le tasche?

Le notizie che parlano di Nikon D600 stanno diffondendosi rapidamente in questi giorni, inizialmente pareva un pesce d’aprile in ritardo ma con il tempo stanno affiorando parecchie informazioni che vi riassumerò in questo articolo. La presentazione della nuova reflex “giallo-nera” è previsto per l’estate prossima, prima del Photokina, il prezzo dovrebbe attestarsi sui 1500 US $ e i dati di targa dovrebbero essere i seguenti:

• Sensore FX (24×36mm) da 24mpx di produzione Sony ma modificato da Nikon (probabilmente un evoluzione del sensore di D3x)
• Assenza del motore AF (autofocus funzionante solo con lenti AF-S e AF-I)
• Funzionalità video Full HD
• Doppio slot SD
• Funzione time-lapse e modifica in camera dei raw
• GPS integrato
• Battery grip opzionale dedicato

La D600 pare che verrà presentata contestualmente ad una lente f/4; Nikon Rumors ipotizza che si tratti di un 24-70mm, ma non si può escludere uno zoom 70-200mm o un fisso 300mm perché il primo è atteso da sempre e il secondo non viene aggiornato da 12 anni. Personalmente credo che se Nikon realmente presenterà questa reflex riuscirà a vendere molto perché i fotoamatori evoluti bramano le FF, d’altra parte però sono convinto che una gamma di reflex priva di una nuova APS-C professionale (D400) sia un po’ incompleta.
Via | Nikonrumors

Hot on the heels of a Nikon D400 rumor, Nikon Rumors is at it again with new rumors of a cheaper full-frame model, dubbed the Nikon D600, which would serve in a complementary role the D800 (and perhaps replace the now-lower-priced D700) .  Rumored specifications include a 24MP CMOS sensor, no internal AF motor (akin to entry-level APS-C cameras), and a price point around $1500.
Other rumored specs include:

• The new camera will be marketed as an entry level full frame camera
• Auto DX crop mode
• Dual SD card slots
• In-camera RAW editor
• Built in time-lapse functionality
• There will be no built-in HDR feature
• Possible integrated GPS
• New external battery grip

The camera is alleged to make an appearance before Photokina 2012.

Win CyberLink Photo Director 3!

We’re giving away five copies of Photo Director 3, courtesy of CyberLink.
PhotoDirector 3 is designed to provide all the features photographers need to manage large batches of photos, adjust images to the best quality and showcase work in their own unique style, in a single application. Now featuring People Beautifying tools and a complete range of cutting edge processing features, PhotoDirector 3 not only enables customers to perfect every detail of scenery photos, but also create professional portraits.
To enter the contest, answer this simple question.
This contest closes on Tuesday 24/05/2012.
Terms and Conditions
1. This competition closes on Thursday 24/05/2012.
2. By entering this competition you will also be opting into Photography Blog’s monthly e-newsletter, but you have the option to unsubscribe at any time.
3. No entries will be accepted from employees of Photography Blog or CyberLink.
4. The winner will be announced on the Photography Blog website following the closing date and contacted via email only, so a valid email address is required.
5. The prize featured is the Photo Director 3.

Airport 4-Sight

In May, Think Tank Photo will release its first four-wheeled rolling camera bag, the Airport 4-Sight. Accommodating a pro dSLR camera with four to five lenses, the Airport 4-Sight meets international airline carry-on standards. “The Airport 4-Sight is in a class by itself,” said Doug Murdoch, Think Tank Photo’s co-founder and lead designer.  “It appeals to frequent flyers or anyone who seeks ease in transporting gear. Smart design features like reduced overall weight and increased manoeuvrability, ergonomics and capacity make this rolling camera bag a breakthrough in the industry.” Available next month, the Airport 4-Sight can be yours for $299.75.
Think Tank Photo Press Release
Think Tank Photo to Release Airport 4-Sight Four-Wheel Rolling Camera Bag
Santa Rosa, Calif. –  Think Tank Photo announces that in May it will release its first four-wheeled rolling camera bag, the Airport 4-Sight™.  The Airport 4-Sight meets international airline carry-on standards. The roller’s weight has been reduced dramatically through innovative design and by a strict focus on the features that photographers find most beneficial.
With professional photography gear not getting any lighter, Think Tank set out to design a more ergonomic roller to reduce fatigue and strain on traveling photographers.  Walking a four-wheeler alongside one’s self is easier than pulling it behind or carrying it over a shoulder. Putting the bags weight on four-wheels eliminates arm strain and makes rolling effortless.
Four-wheelers are superior on many smooth surfaces. On thick carpet, the Airport 4-Sight leans over to perform as a traditional two-wheel roller. It has the added benefit of rolling sideways on two wheels to easily navigate tight spaces, such as airline aisles.
Features Include:
High capacity.  Holds Pro DSLRs with four to five lenses.
Integrated removable Think Tank Cable Management organizer.
Side hinged lid opens bag completely for quick and unencumbered access to gear.
Two-position locking handle for comfort and ergonomics.
Zippered top pocket for boarding pass.
Lockable zipper sliders on main compartment.
Reinforced bottom panel for increased durability.
User replaceable handle and wheels.
Seam sealed rain cover included.
YKK RC-fused™ zippers.
“The Airport 4-Sight is in a class by itself,” said Doug Murdoch, Think Tank Photo’s co-founder and lead designer.  “It appeals to frequent flyers or anyone who seeks ease in transporting gear. Smart design features like reduced overall weight and increased maneuverability, ergonomics and capacity make this rolling camera bag a breakthrough in the industry.”
Specifications
Internal Dimensions: 12.3” W x 16” H x 5–6.7” D (31.2 x 40.6 x 12.7–17 cm)
External Dimensions: 14” W x 19.5” H x 8” D (35.6 x 49.5 x 20.3 cm)
Weight: 7–8.9 lbs (3.2–4 kg)
About Think Tank Photo
Headquartered in Santa Rosa, California, Think Tank Photo is a group of designers and professional photographers focused on studying how photographers work and developing inventive new carrying solutions that meet their needs. They are dedicated to using only the highest quality materials and design principles, and employing materials that are environmentally benign.

M.I.C. Gadget Announces “All-in-One” Card Reader for New iPad

M.I.C. Gadget has announced a memory card reader for the new iPad. Available in the M.I.C. Store for $32.90, the device allows users to transfer files from Compact Flash, SD and micro SD cards, or directly from the camera via USB. The card reader is claimed to have been tested to work with 600X Compact Flash and Class 10 / UHS-I SD cards.

McAfee All Access

McAfee All Access is a multi-platform security solution developed in response to photographers’ demands to protect their image libraries. Enabling users to secure smartphones, tablets, netbooks, PCs and Macs with the optimal level of security protection for each device; McAfee All Access protects images from theft and malicious attacks. “You can even track, lock, or remotely wipe your missing smartphone or tablet – enabling even greater security for the images that you have built up over a sustained period of time,” the company says. Pricing for McAfee All Access is based on a single user or family user license, regardless of the number of devices they need to secure.  McAfee All Access is available from £69.99 including VAT from Argos, Amazon, John Lewis and other stockists. The software bundle is available for Android, Blackberry, MacOS, Symbian and Windows (excluding Windows Mobile) operating systems.
Press Release
McAfee ®All Access - Addresses Security Demands By Photographers Who Want Complete Security Protection For Their Image Libraries On Any Digital Device
Easy, Seamless protection Eliminates Consumer Guesswork in Securing the Growing Number and Type of IP Device
London, UK., 24th April 2012 - Image Libraries are built up over many years. Photos are captured, and hours spent editing them to share with friends and family. Images can be an integral part of a business: for a professional photographer, a web designer needing a portfolio of graphics, an e-trader and more.
McAfee ®All Access enables consumers and businesses to secure smartphones, tablets, netbooks, PCs, and Macs with the optimal level of security protection for each device.  You can connect, surf, and socialize online, knowing your computer, laptop, netbook, smartphone, and tablet are safe from malicious websites and hackers, viruses, scammers, cyber bullies, and identity thieves. You can even track, lock, or remotely wipe your missing smartphone or tablet – enabling even greater security for the images that you have built up over a sustained period of time.
Secure your PC, laptop, and netbook against hackers and identity theft
Hackers and identity thieves love to target the high-value, confidential personal records and account information you store on your PC, laptop, and netbook. McAfee All Access protects you and your identity as it instantly detects and blocks viruses, stops web and email threats, and freezes out hackers. Our two-way firewall, encrypted digital vault, and wireless network defense safeguard your personal data to deter even the most determined thieves
Fend off threats to your Mac
Your Mac is just as vulnerable to risks as your PC. McAfee All Access warns you of dangerous sites while guarding your Mac desktop or laptop from viruses, phishing scams, social engineering attacks, and identity theft. Content filtering and activity monitoring let you screen inappropriate content and set limits on Internet use.
Protect your smartphone and the precious information it holds
You depend on your smartphone to check email, text, socialize, share photos, shop, and bank online, so your smartphone is just as important to protect as your other computers. McAfee All Access enables you to back up and restore important data, protect against viruses, lock and locate your lost smartphone, and safely surf the web.
* Features and functions are not available on all operating systems and may vary depending on operating system. McAfee WaveSecure™ service for iOS sold separately at the Apple App Store. Please refer to the McAfee All Access datasheet for additional details.
Guard your tablet against attacks and theft
While you enjoy the convenience of your tablet, attackers target it with malicious code, and thieves eye its resale value. McAfee All Access protects your tablet and personal data in the event of loss or theft, helps you locate and lock it, and safeguards against viruses and risky websites.
Availability:
Pricing for McAfee All Access is based on a single user or family user license, regardless of the number of devices they need to secure.  McAfee All Access is available from SRP £69.99 inc VAT from Argos, Amazon, John Lewis and other stockists of high quality software.
For more information please see McAfee All Access.
About McAfee:
McAfee, a wholly owned subsidiary of Intel Corporation (NASDAQ:INTC), is the world’s largest dedicated security technology company. McAfee delivers proactive and proven solutions and services that help secure systems, networks, and mobile devices around the world, allowing users to safely connect to the Internet, browse and shop the Web more securely. Backed by its unrivaled Global Threat Intelligence, McAfee creates innovative products that empower home users, businesses, the public sector and service providers by enabling them to prove compliance with regulations, protect data, prevent disruptions, identify vulnerabilities, and continuously monitor and improve their security. McAfee is relentlessly focused on constantly finding new ways to keep our customers safe. http://www.mcafee.com

Nikon Recalls Some EN-EL15 Batteries

Nikon has issued an important announcement regarding the EN-EL15 battery used in the Nikon D7000, D800, D800E and Nikon 1 V1 cameras. “While Nikon takes great measures to assure high quality products, it has come to our attention that a certain number of EN-EL15 batteries manufactured by one of our suppliers did not meet Nikon’s internal quality standards,” the company said in a statement. “In extremely rare cases, this may cause the battery to overheat and the exterior casing to become deformed.” If you use one or more of these batteries, check the lot number (the alphanumeric character string located at the bottom of the name plate) - if the ninth character is an E or an F, then the battery needs to be replaced. To request a replacement battery, call or e-mail Nikon’s Customer Support Department.
Nikon Service Notice
Notice to users of the EN-EL15 Rechargeable Li-ion Battery
This is an important announcement regarding the EN-EL15 battery which is used in the Nikon D7000, D800, D800E and Nikon 1 V1 cameras.
While Nikon takes great measures to assure high quality products, it has come to our attention that a certain number of EN-EL15 batteries manufactured by one of our suppliers did not meet Nikon’s internal quality standards. In extremely rare cases, this may cause the battery to overheat and the exterior casing to become deformed. Batteries exhibiting this problem have only been confirmed in the Nikon manufacturing process. We have received no reports of this problem from the market. Therefore, in order to ensure the safety of our customers and their equipment, we have initiated a voluntary replacement scheme for applicable products.
Customers using an applicable EN-EL15 battery may request a replacement battery as indicated below.
Applicable batteries
  1. Locate the lot number for your EN-EL15 battery. Lot numbers are alphanumeric characters printed at the bottom of the name plate on the bottom of the battery as shown below.
  2. Check the 9th digit of the lot number as indicated below.
  - If the 9th digit of the EN-EL15 battery lot number is E or F then the battery needs to be replaced as it may be affected by this issue.
  - If the 9th digit of the EN-EL15 battery lot number is A, B, C, D, G or any subsequent letter in the alphabet then the battery is safe to use.
This issue does not apply to EN-EL15 batteries supplied with the D7000 and Nikon 1 V1 purchased before February 29, 2012 or to batteries purchased individually before February 29, 2012.
Replacement battery requests
To request a replacement battery please call or email our Customer Support Department. Click here to contact us. Office opening hours are Monday to Friday - 9.00AM to 5.00PM.
When you contact us for a replacement battery the following information is required. Please remember to include this information to ensure the fastest possible service.
  - Name
  - Email address
  - Full postal address
  - Telephone number
  - Lot number of your battery
We will deliver the replacement battery to the address provided and collect the affected battery at the same time.
We sincerely apologize for any inconvenience this might cause you and remain committed to provide only the highest quality products and services for you.

Bron Imaging & Hasselblad to Merge US Operations

Bron Imaging and Hasselblad USA have announced an agreement through which the two companies will merge their operations in the United States. Effective immediately, the agreement creates a combined company called Hasselblad Bron, which “will leverage the strengths of two of the professional photo industry’s leading distributors and allow the sales, marketing and customer support divisions to provide higher levels of service”. Under terms of the merger, Hasselblad Bron will be a single entity providing support for all of the brands of the combined company. The transaction will only impact the two American organisations of Bron Imaging Group U.S. and Hasselblad USA. Hasselblad AB (Sweden), Bron Elektronik AG (Switzerland) and other related suppliers will remain independent companies.
Bron Imaging / Hasselblad Press Release
BRON IMAGING GROUP AND HASSELBLAD USA ANNOUNCE AGREEMENT TO MERGE U.S. OPERATIONS
Combined Company Will be Known as Hasselblad Bron Inc.
EDISON, N.J. (April 24, 2012) – Hasselblad USA Inc. (http://www.hasselbladusa.com), the U.S. distributor of Hasselblad professional camera systems, and Bron Imaging Group Inc., (http://www.bronimaging.com), distributor of professional photographic equipment, today announced an agreement through which the two companies will merge their operations in the U.S., effective immediately, creating a combined company known as Hasselblad Bron Inc.
The combined company will leverage the strengths of two of the professional photo industry’s leading distributors and allow the sales, marketing and customer support divisions to provide higher levels of service. The transaction will combine Hasselblad USA and Bron Imaging’s distribution channels and sales forces.  Additionally, customer support, repair operations, marketing and administration will be combined into a single operation. The partnership is an expansion of an existing two-year marketing relationship between the companies, through which the companies worked closely together to develop their brands in the professional photography market.
Under terms of the merger, Hasselblad Bron Inc. will be a single entity providing support for all of the brands of the combined company.
Michael Hejtmanek, current president of Bron Imaging Group, will lead the new company as president and chief operating officer of Hasselblad Bron Inc.
“Our goal is to provide photographers with the world’s best cameras, lighting and other photography gear,” said Hejtmanek. “Joining forces to create Hasselblad Bron Inc. allows us to create a larger customer service organization to accomplish our mission of providing an exceptional level of products and support for our highly valued customers.”
The merger will only impact the two American organizations of Bron Imaging Group U.S. and Hasselblad USA, Inc. Hasselblad AB (Sweden), Bron Elektronik AG (Switzerland) and other related suppliers will remain independent companies.
The new Hasselblad Bron Inc. will relocate to a single facility during the summer of 2012.
About Bron Imaging
Bron Imaging Group, Inc., formerly known as Sinar Bron Imaging, has been providing photographers with the world’s best photography equipment since 1980. The company is committed to the art and technology of photographic expression and strives to provide the best tools of the trade for amateur to professional photographers. Bron Imaging Group provides a full range of world-class tools such as a diverse line of lighting products reflectors and modifiers, broadcast- and cinema-quality continuous lighting systems and more. Bron Imaging is the U.S. distributor of Broncolor, Sun Sniper, California Sunbounce, Foba, Kobold, Sinar and Visatec photographic equipment. For more information, please visit http://www.bronimaging.com.
About Hasselblad USA
Hasselblad USA Inc. is the U.S. distribution company for Hasselblad camera systems. The company is committed to marketing and supporting the Hasselblad line of cameras and scanners. The Hasselblad H Camera System and its professional lens family and unique advanced features, including True Focus and instant lens correction within the Phocus software, is the most comprehensive digital camera system of its kind available today. For more information, please visit http://www.hasselbladusa.com.

Canon Product Advisory Offers Inspection/Fix for 5D Mark III Owners w/ “Light Leak” Problem

Canon has issued another product advisory (see the last one) for the 5D Mark III with regard to the LCD panel “light leak” issue.  Canon has identified a specific range of affected serial numbers for the 5D3 and will offer a free inspection for owners who wish to send their camera to Canon beginning in May. See the full advisory and contact details below. To Users of the Canon EOS 5D Mark III Digital SLR Camera Thank you for using Canon products. Concerning the EOS 5D Mark III digital SLR camera, when the LCD panel illuminates in extremely dark environments, the displayed exposure value may change. Canon has concluded the investigation of this phenomenon, and this announcement informs you of our findings as described below. Phenomenon In extremely dark environments, if the LCD panel illuminates, the displayed exposure value may change. However, based on the results of extensive testing this change in exposure value will not noticeably affect the captured image. Affected Product Canon EOS 5D Mark III Digital SLR Camera *Products whose sixth digit in the serial number is 1 or 2 are affected. For example,　“xxxxx1xxxxxx”　or “xxxxx2xxxxxx” ([x] represents any optional number.) Support Under almost all shooting conditions (including dark environments) this phenomenon will not affect your captured images. However, if you would like Canon to inspect your camera, we will provide this service free of charge upon request beginning in mid-May. Please contact Canon using the information below to request service. This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region. Please register the EOS 5D Mark III. By registering, we will be able to notify you via email when service updates are available. If you already registered, please ensure you are opted-in to receive the notification. Thank you, Customer Support Operations Canon U.S.A., Inc Contact Information for Inquiries Canon Customer Support Center Phone: 1-800-OK-CANON 1-800-652-2666 TDD: 1-866-251-3752 Email: carecenter@cits.canon.com For additional support options: www.usa.canon.com/support Via: http://www.photographybay.com/

Canon 5D Mark III Firmware Update Version 1.1.2

Canon has issued a firmware update for the 5D Mark III.  Version 1.1.2 provides the following fixes:

1. Supports a new accessory, GPS receiver GP-E2.
2. Fixes a phenomenon where a pink cast may develop over the image when the shutter is completely pressed with the camera’s power turned off (by the auto power off setting).
3. Fixes a phenomenon where the camera operation stops after one shot when shooting in High Dynamic Range (HDR) mode.
4. Fixes a phenomenon where the Shooting Date/Time in the EXIF data of the image shows a later time than the actual shooting time.
5. Fixes the time zone for the Samoa Islands.
6. Corrects errors in the Finnish menu screen. (Products for the Japanese market do not display the Finnish menu.)

The update is available via Canon USA’s website.

Via: http://www.photographybay.com/

Adobe Photoshop CS6

Adobe has launched Photoshop CS6 and Photoshop CS6 Extended. New features include Content-Aware Patch, a Blur Gallery that allows users to quickly create photographic blur effects, a set of new and re-engineered Design Tools and new video tools to create and enhance any video clip. The new Adobe Mercury Graphics Engine takes advantage of the graphics processing unit in modern hardware to speed up imaging and editing tasks. Additionally, Photoshop CS6 Extended includes new 3D controls and effects as wells as Mercury Graphics Engine for 3D, which offers increased power and speed via engine optimised for 3D imaging. Scheduled to become available within 30 days, Adobe Photoshop CS6 and CS6 Extended can be pre-ordered now for for£556 (ex. VAT) and £794 (ex. VAT) , respectively.
Adobe Press Release
Adobe Unveils Fast, Feature-Packed Photoshop CS6 and Photoshop CS6 Extended
London, UK — April 23, 2012 — Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Photoshop® CS6 and Photoshop CS6 Extended software, major releases of the undisputed standard for professional digital imaging. Packed with new features and enhancements, the software includes groundbreaking innovations and unparalleled performance breakthroughs that expand the frontiers of imaging science, and deliver new levels of creativity and increased efficiency. Photoshop CS6 Extended integrates the state-of-the-art editing, compositing, and graphic design capabilities of Photoshop CS6, as well as advanced tools for 3D design*, image and video editing, and quantitative analysis which address the unique needs of the graphic design, video, Web, architecture, medical, manufacturing and engineering industries.
“Creativity is at the very centre of our efforts – both in developing exceptional tools, and enabling our users to create beautiful imagery that stands out from the visual clutter around us,” said Winston Hendrickson, vice president products, Creative Media Solutions, Adobe. “Photoshop CS6 is unrivalled in capabilities and power and – as we have seen from the astonishing reception of our recent public beta – has once again captured the imagination of the worldwide creative community. ‘Photoshop magic’ is alive and well with CS6.”
Since Photoshop CS6 was released as a public beta on March 22 for Mac OS and Microsoft® Windows® platforms, there have been nearly one million downloads of the software worldwide – surpassing any public beta in Adobe’s history. With this launch, Photoshop CS6 and Photoshop CS6 Extended can be purchased as stand-alone applications, key components of the Adobe Creative Suite 6 family (see separate press release), and now as part of Adobe’s revolutionary Creative Cloud™ offering, also announced today (see separate release).
Create with Imaging Innovation and Peak Performance
Photoshop CS6 and Photoshop CS6 Extended deliver unparalleled speed and power combined with the creative tools necessary to perform advanced image manipulation, design, motion‐based content editing, and compositing. The software helps users to patch images with control for exceptional results; edit with real-time interactions and a fluid feel powered by the new Mercury Graphics Engine; easily edit video; perform automatic tone mapping and sharpening; and use improved design tools for better results with fewer steps. Creative customers will be able to take advantage of an efficient, modern UI that puts all focus on images, and sync settings and preferences for consistent workflows across multiple devices via Adobe Creative Cloud.
“Adobe Photoshop CS6 gives Trek powerful design tools to help bring our creative vision to a reality faster and with greater control than ever before. The responsiveness of the new Mercury Graphics Engine is simply breathtaking and being able to see the results instantaneously helps us keep to our extremely tight timelines,” said Eric Lynn, creative director, Trek Bicycle. “We often work with large files that include more than 500 layers and being able to search them all – and continue working while saving a large document – is invaluable to our workflow and a huge time saver for us.”
Photoshop CS6 features include:
·      Content-Aware Patch – Allows greater control by letting users choose the sample area used to create a patch.
·      Adobe Mercury Graphics Engine – Takes advantage of the graphics processing unit in modern hardware to speed up imaging and editing tasks, and process large images faster.
·      New and Re-engineered Design Tools – Type styles enable consistent formatting; vector layers apply strokes and add gradients to vector objects; custom strokes and dashed lines are easily created; quick layers search and more.
·      Intuitive Video Creation – The full range of familiar Photoshop tools and an intuitive set of new video tools to create and enhance any video clip.
·      Blur Gallery – A simple new interface with on-image and in-context controls allows users to quickly create photographic blur effects including tilt-shift effects, blur everything with one focal point, or vary the blurriness between multiple focal points.
Photoshop CS6 Extended includes all Photoshop CS6 features and:
·      Mercury Graphics Engine for 3D – Increased power and speed via engine optimised for 3D imaging.
·      New 3D Controls – UI improvements for more efficient 3D workflows.
·      New 3D Effects – Reflections and “drag-able” shadows to enhance images.
Adobe Creative Cloud and Digital Imaging
Adobe Creative Cloud gives creative customers a new option for purchasing and experiencing Adobe software innovation, including Adobe Photoshop CS6:
·      Creative Cloud membership provides designers with access to download and install every new Adobe CS6 application announced today and two new HTML5 products, Adobe Muse™ and Adobe Edge preview. 
·      Creative Cloud powers the integration of creative tablet applications, such as Photoshop Touch, into everyday work – seamlessly synchronising and storing files in the cloud, for sharing and access on any device.
·      Creative Cloud members will be able to easily deliver mobile apps to iOS and Android marketplaces and publish, manage and host websites.
·      Adobe Creative Cloud members will receive access to application upgrades, including new Photoshop features – before they are launched as part of a major update, as well as inventive new products and services, as they emerge. Adobe Photoshop Lightroom® 4 will be offered as part of Creative Cloud membership in the future.
Live Streamed Webcast
The launch event for Adobe Creative Cloud and CS6 will be streamed live beginning at 6pm GMT, April 23 at http://www.adobe.com/special/cs6/launch-event.html and will be available there as a continuous rebroadcast from 7pm – midnight GMT on April 23. An on-demand version will be available at http://tv.adobe.com beginning April 24.
Pricing and Availability
Adobe Photoshop CS6, Adobe Photoshop CS6 Extended, Adobe Creative Suite 6 editions and Adobe Creative Cloud are scheduled to be available within 30 days and can be pre-ordered now. Photoshop CS6 and Photoshop CS6 Extended will also be available through Adobe Authorised Resellers, the Adobe Store and Adobe Direct Sales; estimated street price for Photoshop CS6 is £556 (ex. VAT) and £794 (ex. VAT) for Photoshop CS6 Extended. Upgrade pricing is also available to eligible customers. Subscription pricing for Photoshop CS6 Extended is £14.29 (ex. VAT) per month for an annual contract and £22.23 (ex. VAT) for a month-to-month contract. For more detailed information about features, OS support, system requirements, upgrade policies and pricing, please visit http://www.adobe.com/uk/products/photoshop.html
Adobe Creative Cloud membership for individuals is £38.11 (ex. VAT)  per month based on annual membership and £57.17 (ex. VAT)  per month based on month-to-month membership and includes access to Photoshop CS6 Extended. A special introductory offer of £22.23 (ex. VAT) per month for CS3, CS4, CS5 and CS5.5 individual customers is also available. Learn more at http://www.adobe.com/uk/products/creativecloud.html

Leaf Credo

Mamiya Leaf today introduced a newly designed medium format digital camera back platform - the Leaf Credo. Available in three different models, the Leaf Credo 80, Credo 60, and Credo 40 digital camera backs feature sensors with 80, 60 and 40 megapixels of resolution, respectively. The flagship of the Leaf Credo platform is a 53.7 x 40.4 mm 80-megapixel CCD imager with a dynamic range of 12.5 f-stops. New to Mamiya Leaf is a similarly sized 60MP CCD sensor with 3:4 aspect ratio providing great detail, colour and tonality as well as low noise. Also available is a smaller 40MP CCD sensor which offers the fastest capture speed in the Leaf Credo platform at 1.2 frames per second. All Leaf Credo backs come with a large, high-resolution multi-touch screen with 16 million colours, a fast dual-core processing unit and a new, intuitive graphical user interface. Pricing for the Leaf Credo 40 starts at 14,995/$19,495. The Leaf Credo 60 is listed at 24,995/$32,495 and the Leaf Credo 80 for 29,995/$38,995.  Shipping is planned for June.
Mamiya Press Release
Mamiya Leaf Introduces the Leaf Credo Medium Format Digital Camera Back Platform
New Hardware Design with Blazing Performance Speed
TEL AVIV, April 23, 2012– Mamiya Leaf, a leading provider of medium format camera equipment, today introduced a newly designed medium format digital camera back platform—the Leaf Credo. Available in three different models, the Leaf Credo 80, Credo 60, and Credo 40 digital camera backs feature high-quality resolutions of 80, 60 and 40 megapixels respectively.
Key platform features include:
  * A large, high resolution (1.15 megapixel), multi-touch screen with excellent rendition of 16 million colors for quick and easy verification of focus and tonal accuracy;
  * Fast, new dual-core microprocessor enables powerful performance for the fastest available image viewing, focusing and editing;
  * A new, intuitive graphical user interface (GUI) offers easy navigation and extends the touch screen beyond the LCD area—letting you navigate and click outside the image area;
  * New FireWire 800 and USB3 implementation delivers fastest image transfer speeds.
Planned from the ground-up for comfortable, effective shooting both indoors and out, Leaf Credo delivers high-resolution Live View functionality for precise focusing when shooting un-tethered.  It also offers a wide viewing angle and a built-in bi-directional spirit level.
The flagship of the Leaf Credo platform is a full-frame 80 MP CCD sensor with a dynamic range of 12.5 f-stops. New to Mamiya Leaf is a full frame 60 MP CCD sensor with 3:4 aspect ratio providing unmatched detail, richness of color, low noise and beautiful tonality. Also available is the 40 MP CCD sensor which offers the fastest capture speed in the Leaf Credo platform at 1.2 frames per second.
Leaf Credo digital backs work seamlessly with the Mamiya 645DF camera - which offers shutter speeds up to 1/4000 of a second and sync speeds of up to 1/1600 of a second with Schneider-Kreuznach designed Leaf shutter lenses.
The Mamiya Leaf open platform philosophy enables compatibility with other medium format camera bodies, such as the Hasselblad V and H and Contax (see http://www.mamiyaleaf.com for full compatibility list).
Leaf Credo digital backs are optimized for shooting with Capture One software, which comprises a comprehensive workflow to capture, organize, edit, share and print images.
“Leaf Credo delivers the best price/performance ratio in the large sensor digital back market,” said Ziv Argov, marketing director, Mamiya Leaf. “Its impressive combination of high resolution image quality, ease of use, and the latest multi-touch screen LCD technologies makes the Leaf Credo digital back platform appealing for all photographers regardless of their styles.”
Pricing for the Leaf Credo 40 starts at 14,995/$19,495. The Leaf Credo 60 is listed at 24,995/$32,495 and the Leaf Credo 80 for 29,995/$38,995.  Shipping is planned for June, 2012.

Stupidity at 2500 Frames Per Second

This video shot on the Phantom Flex makes all sorts of stupid activities look amazing. Don’t try this at home though. [via FortySeven Media]

Canon Fix DPP per la morbidezza 5D Mark III Edizione è ora disponibile

Canon ha pubblicato un aggiornamento al suo software Digital Photo Professional che corregge il problema presumibilmente "soft" l'immagine durante l'elaborazione 5D Mark III file RAW in DPP. Check it out tramite i link qui sotto (ha colpito le frecce rosse a destra per scaricare il software).
DPP 3.11.26 (Mac)
DPP 3.11.26 (Windows)

First Look: Canon Speedlite 600EX Flash-RT

Canon Speedlite 600EX-RT Box Contents Today my Canon Speedlite 600EX-RT flash arrived from B&H, so I thought I’d share a few quick thoughts about it.

Big Honkin’ Manual

The first thing you notice when you open the box is that the new manual looks like the car navigation system manual – it’s huge! Of course it’s three manuals in one because it’s localized in English, French and Spanish so the truth is that it’s only 1/3rd of the visual size. Inside it looks more like a camera manual than the cryptic flash manuals of the past, but it’s still just about the facts so don’t expect to learn how to use the flash from this book.

Built-in Gel System

Something new for this flash is the addition of the built-in gel filter holder that has been the mainstay of the SB-900 and SB-910 Speedlights from Nikon. It’s a nice design that features a carrying pouch, but the truth is that this too little to late for me as I’ve already moved on to the Rogue Gels which I like a lot more for their variety of colors, organization, more compact pouch and flexible use with any flash. I applaud Canon for playing catch up, but it’s a token effort as you only get two gels with the flash and with the $29.95 SCF-E1 replacement kit. What the heck? What a checkbox only feature! Despite its solid construction, I’ll stick with my Rogue gels.

Improved Case Design

You can see in the photo at the top of this article that the case design has changed, and while I’d call it a minor change it’s significant. Now thanks to the Velcro strap in the back you can easily attach your flash to your camera strap or backpack if you were so inclined. I’m not sure I’d do it, but I can see how in a pinch that could be useful.

580EX II Comparison

While I didn’t have time for a full review, the burning question on my mind as well as many others is “how does the 600EX-RT compare to the 580EX II”? Physically it looks a little larger but for oddly enough feels a tad lighter. In practice it feels a lot more like using a SB-910 from Nikon than a Canon flash, but Canon users will feel right at home. When controlling via the 5D Mark III’s menu it’s a snap to use, as is the 580EX II, but the difference is that it’s also super easy to program the 600EX-RT off the camera using the back of the flash controls (shown above) versus the Morse code required by the 580EX II. I love the new design and it’s a snap to use without even opening the manual (which is impossible with its predecessors). It’s also a heck of a lot easier to use than Nikon flashes too.

Simple Flash Power Test

I just wanted to see what sort of power I had with zoom min and max as well as how each flash would handle ETTL, so I took some sample shots. If you are using an iOS device you’ll have to tap the photo to see the “mouse over” shot and then tap on another photo to see the “mouse out” in that previous spot. With that said, all of these shots were taken for 1/60 sec at f/16, ISO 100, 16mm (16-35mm II) using a Canon 5D Mark III. Here’s how things worked out:

200mm Max Zoom on 600EX (mouse out)vs 105 Max Zoom on 580 EX II (mouse over)

The 600EX-RT has a 200mm zoom to match Nikon’s SB-900, so this is a big improvement over the 105mm on the 580EX-II. Hopefully Canon learned from Nikon and we won’t have any overheating issues. In my limited testing the flash performed well with no signs of overheating. Clearly you get more focused light with the 600EX which also features a lightly longer barrel than its predecessor.

20mm Min Zoom on 600EX (mouse out)vs 24 Min Zoom on 580 EX II (mouse over)

The 600 had a little more spread (even at 24mm) so the extra power was obvious.

Full ETTL on 600EX (mouse out)vs Full ETTL on 580 EX II (mouse over)

Again, on ETTL the 600EX showed off its better zoom and had a little more even light without as much vignetting as the 580EXII.
Overall for this test it was no surprise that the 600EX-RT showed off its strengths, but honestly in practice this is going to be less of an issue in most normal scenarios. Sure if you are Joe McNally this might make a difference, but for mere mortals you’ll rarely take advantage of the extra oomph offered by the 600. It’s also likely (although I didn’t test) that the 600 will drain batteries faster, so there’s a downside too.

Real World Shots

I didn’t have much time, but I thought I’d take a quick crack at seeing if the new flash made any difference on a real world shot. With that in mind I threw my 100mm macro on the 5D Mark III and dialed it in for 1/60 sec at f/22, ISO 1600 to see how the two flashes compared in ETTL mode. I also boosted the flash exposure compensation by +2 on both and bounced on the ceiling / wall behind me. Here’s the results:

600EX-RT

580EX II

The net result was that they both performed equally well with the 600EX-RT having a slightly softer and diffused light (a good thing) than the 580EX II.

What about the radio wireless?

Check out these articles for more info:

• Canon 600EX-RT Wireless Real World Test
• Ask Ron: Canon 600EX-RT Radio Wireless and High Speed Sync on Sunny Days

Conclusion

So far what I’m seeing is a flash that catches up with Nikon’s SB-910 and performs better in every way than its predecessor. However, I can buy a 580EX II for $469 (with the current rebate that expires on 3/31/12) and the new 600EX-RT costs a whopping $629! That’s $160 difference and the new Pocket Wizard III (which doesn’t have ETTL) only costs $139. So, if you can forego the ETTL radio wireless support, you can buy a 580EX II AND a wireless transmitter for about the same price (without the rebate). Now having wireless ETTL does have its benefits and being able to control it from your camera (or computer with EOS Utility) is an added plus as well. However, for those of you with two or three flashes you can invest in a wireless ETTL system for your existing flashes (see here for a price comparison) for a little more than the cost of one of these flashes. Throw in a superior Rogue Gel system and you are good to go.
My advice is that if you are buying your first Canon flash then go for the new flash. It’s a good flash that will serve you well both now and as you grow into the system in the future. However, if you already own one or more flashes and aren’t prepared to toss them out to buy two or more of these (to take advantage of the radio wireless), then I see no point in buying them.
I’m still on the fence about keeping the one I’ve ordered or sending it back. It’ll take the radio wireless test to convince if I should keep them or not, but then I have to buy at least two so that’s a pretty significant investment for the owner of three 580EX II’s and a ST-E2 transmitter.

Via: http://www.ronmartblog.com/

New Extensive Firmware for the Canon EOS 7D? [CR1]

Added Features
I received some information that suggested instead of a near future 7D Mark II, we’d see a firmware update that would add new features to the current 7D.
Most of the added features mentioned would aid video. It mentioned new visual aids on the LCD for exposure and audio. Also a suggestion about an autofocus feature being added. We have heard that a new 18-135 IS lens would be coming with a silent autofocus motor alongside the T4i, so maybe there is a new AF feature coming.
CRs Take
Canon has really only added significant features to the 5D Mark II via firmware in the past, so this would be a unlikely situation in my opinion. Although, adding features to the 7D to boost some sales while we wait for a successor does make some sense. Definitely CR1 for now.

Patent: New Diffractive Optic Patents

More DO Lenses?
A few patents in regards to diffractive optics have come about. 70-300 f/4.5-5.6 DO IS, 14 f/2.8 DO and a 600 f/4 DO IS.
Diffractive optic patents keep coming up, though no new products are being announced. It does appear Canon is invested in the technology and thinks there is a market for it. I am a big fan of the 400 DO and hope to see longer DO lenses in the future.
Read more about the patents after the break.

Patent Publication No. 2012-78397

• 2012.4.19 Release Date
• 2010.9.30 filing date

Example 1

• Zoom ratio 4.01
• 135.50 – - 290.90mm 72.50 focal length
• Fno 4.66 -. 4.97 – 5.87
• 9.07 – - 4.25deg 16.62 a half angle of view.
• Image height 21.64mm
• 171.47 – - 204.08mm 144.08 full-length lens
• BF 40.08mm
• 18 sheets 12 group lens configuration
• 3 UD glass sheet
• A plane diffraction
• Seven-group zoom positive and negative positive positive and negative polarity
• Inner Focus (Group 6)
• Shake correction (group 2)

Example 2

• Zoom ratio 2.84
• 200.00 – - 292.50mm 103.00 focal length
• Fno 4.67 -. 5.44 – 5.77
• 6.17 – - 4.23deg 11.86 a half angle of view.
• Image height 21.64mm
• 189.12 – - 210.66mm 162.16 full-length lens
• BF 45.16 – 58.25 – 70.16mm
• 13 pieces in 11 groups Lens Construction
• 2 UD glass sheet
• A plane diffraction
• Five-group zoom of positive and negative positive positive and negative
• Rear focus

Example 3

• 14.36mm focal length
• Fno. 2.89
• 56.38deg half angle of view.
• Image height 21.60mm
• Length 133.66mm lens
• BF 38.47mm
• 16 pieces in 10 groups Lens Construction
• 2 UD glass sheet
• Two surface diffraction
• Two positive lens group a negative
• (Part of the front group) Inner Focus

Example 4

• 584.94mm focal length
• Fno. 4.12
• 2.12deg half angle of view.
• Image height 21.64mm
• Length 404.06mm lens
• BF 123.32mm
• 18 sheets 12 group lens configuration
• 3 UD glass sheet
• One fluorite
• Two groups of positive-positive lens
• (Part of the front group) Inner Focus

Conventional diffractive optical element

• Because there is a thick diffraction grating, and obliquely incident light, the diffraction efficiency is reduced
• When the diffraction efficiency is reduced, flare, ghost, imaging performance deterioration, such as contrast degradation occurs

Canon’s patent

• Can be in close contact with another medium to a diffraction grating, to reduce the thickness
• Capable of suppressing a decrease in diffraction efficiency
• With another medium, and fine particle dispersion ultraviolet curing resin material

Use A Shoot-Through Shade to Eliminate Flare from Rim Lights and the Sun

When working with rim lights, or shooting into a significant backlight, glare becomes a serious issue. The typical solution to this problem is setting up flags on either side of your subject, but who needs flags when you have a spare piece of Coroplast sitting around your studio?

Instead of using flags, Strobist suggests clamping a frame made of black Coroplast or other opaque material to a stand and then using that to frame your shot. You can vary the size and aspect ratio of the cut out to match the lens and camera you’re using, and then flood your subject with as much backlight or rim light as you would like.
Strobist  goes on to explain that it will work much better than a lens shade because of the precise positioning and all around coverage. If you get a chance to use the method, or already have, let us know how it worked for you in the comments down below.
Control Flare from Sun, Rim Lights with a Shoot-Thru Gobo [Strobist]

Behind the Scenes with Camera and Lens Testing Service DxO Labs

Stephen Shankland over at CNET has written an interesting behind-the-scenes look at how DxO Labs — one of the world’s premier camera testing services — evaluates equipment. DxO Labs is based near Paris, France and was the result of a 2003 spinoff from a company called Vision IQ, which specialized in swimming pool safety. Since then, the group has published over 185 in-depth camera reviews on its website DxOMark.

After years of testing cameras, they’ve come to a few interesting (and surprising) conclusions:

• Actually, megapixels do matter
  

  “Everybody says there is no need for more pixels, and we should reduce the number to a reasonable number so the quality will improve,” Guichard said. However, DxO’s aggregate measurements tell a different story: “If we look at the cameras, there are more and more pixels, and the quality is increasing in the meantime.”

• ISO isn’t what it appears to be
  

  [...] just because this year’s camera goes to a higher ISO than an earlier model, don’t assume that the image quality at the highest ISO setting is on par. Cameras can clean up photos as they’re converted into JPEGs, but DxO’s measurements of the raw image data shows how newer cameras produce more noise at the highest ISO before that processing.

• Phone cameras are better than you think
  

  “If you scale down the quality to the sensor size, today the [phone] cameras and sensors are better than the SLR sensors,” Guichard said. “In the end, the image quality is not as good because it’s smaller. But if Canon were able to put the technical quality of a 2012 phone camera on full-frame sensor, they would win about 1 stop more [in image quality]. It’s a big difference.”

• In practice, sensors beat film’s dynamic range
  

  Most people aren’t surprised to hear that high-end digital cameras offer higher resolution, lower noise, and better low-light performance than film. But there’s a common belief that film still surpasses digital when it comes to another important attribute, dynamic range, which measures the spread from where a scene is too bright for a camera to capture detail to where it’s so dark that details are lost in the image noise. [...] “All digital SLR cameras are above film,” Guichard said.

Head on over to CNET for the entire article — it’s worth a read.
How DxO Labs tests hot cameras like Canon’s latest SLR [CNET]

TIPA Award for Tamron 18-200mm Di III VC

The Tamron 18-200mm F/3.5-6.3 Di III VC all-in-one zoom lens for the E-mount of Sony mirrorless interchangeable-lens camera series has been named the “Best Entry-Level CSC Lens” by the Technical Image Press Association (TIPA). This light and compact lens delivers the 35mm equivalent of 27-300mm yet weighs a mere 16.2 oz. At the telephoto end, the lens can focus as close as 19.6 inches; to aid in close-up and long-range telephoto shooting it incorporates a specifically designed moving coil Vibration Compensation feature. The AF drive has a stepping motor that is optimized for use with Sony’s contrast-detection AF system.
Tamron Press Release
Tamron 18-200mm Di IIi VC All-in-one zoom lens for sony e-mount mirrorless camera series wins TIPA AWARDS 2012 “BEST CSC[1] ENTRY LEVEL LENS”
April 18, 2012, Commack, NY -Tamron Co. Ltd. (President and CEO: Morio Ono / Headquarters: Saitama) a leading manufacturer of optical equipment, announced that the 18-200mm F/3.5-6.3 Di III VC (Model B011) all-in-one zoom lens for the E-mount of Sony mirrorless interchangeable-lens camera series has been awarded the TIPA AWARD / BEST CSC ENTRY LEVEL LENS Award.
The lens was acclaimed by the chief editors and technical editors of camera and imaging magazines who comprise TIPA as a compact, light, and easy to use high-power zoom lens.
This year marks the second consecutive year that a Tamron lens has been awarded by TIPA, following the SP 70-300mm Di VC USD (Model A005) last year.
[1] CSC: Compact System Camera
BEST CSC ENTRY LEVEL LENS Award: Reason for winning TIPA award (from original statement)
Designed exclusively for the E-mount Sony CSC camera line-up (it can also be used on the Sony NEX-VG10 HD video camcorder), this T light and compact lens delivers the (35mm format) equivalent of 27-300mm yet weighs a mere 16.2 oz. At the telephoto end, the lens can focus as close as 19.6 inches; to aid in close-up and long-range telephoto shooting it incorporates a specifically designed moving coil Vibration Compensation feature. The AF drive has a stepping motor that is optimized for use with Sony’s contrast-detection AF system.
About the TIPA Awards
These awards are presented each year by the Technical Image Press Association (TIPA) to top photo and imaging products.
TIPA is made up of the chief editors and technical editors of 29 camera and imaging magazines from 14 countries including European countries, USA, Canada, China, South Africa, and Australia.
About Tamron
Tamron is a recognized leader in the manufacture of precision optics offering a broad selection of meticulously engineered interchangeable lenses for professional photographers and photo enthusiasts. Founded in 1950, Tamron’s passion for innovation brought forth the groundbreaking development of mass-produced hybrid Aspherical elements, giving way to enormously popular compact, wide-range zoom lenses. Dynamic research and development , committed to advanced optical engineering, has produced a stream of award-winning Tamron lenses and defined theAll-in-One zoom lens category, exemplified by 2010’s 18-270mm Di II VC PZD. Astonishingly compact and lightweight, this 15X zoom features proprietary VC (Vibration Compensation) technology, effectively counteracting image-degrading blur caused by camera shake along with a fast, quiet PZD (Piezo Drive) autofocus mechanism. Tamron lenses deliver a superb fusion of performance and value, enabling today’s high-resolution digital SLR cameras to perform at their peak.